14 reviews

The Namesake : A Novel
by Jhumpa Lahiri

Published: 2004-09-01
Paperback : 291 pages
45 members reading this now
93 clubs reading this now
30 members have read this book
Recommended to book clubs by 14 of 14 members
 "Dazzling...An intimate, closely observed family portrait."—The New York Times

"Hugely appealing."—People Magazine

"An exquisitely detailed family saga."—Entertainment Weekly

Meet the Ganguli family, new arrivals from Calcutta, trying their best to become Americans even as they ...
No other editions available.
Add to Club Selections
Add to Possible Club Selections
Add to My Personal Queue
Jump to


 "Dazzling...An intimate, closely observed family portrait."—The New York Times

"Hugely appealing."—People Magazine

"An exquisitely detailed family saga."—Entertainment Weekly

Meet the Ganguli family, new arrivals from Calcutta, trying their best to become Americans even as they pine for home. The name they bestow on their firstborn, Gogol, betrays all the conflicts of honoring tradition in a new world—conflicts that will haunt Gogol on his own winding path through divided loyalties, comic detours, and wrenching love affairs.

In The Namesake, the Pulitzer Prize winner Jhumpa Lahiri brilliantly illuminates the immigrant experience and the tangled ties between generations.

Editorial Review

No editorial review at this time.



On a sticky August evening two weeks before her due date, Ashima
Ganguli stands in the kitchen of a Central Square apartment, combining Rice
Krispies and Planters peanuts and chopped red onion in a bowl. She adds
salt, lemon juice, thin slices of green chili pepper, wishing there were
mustard oil to pour into the mix. Ashima has been consuming this
concoction throughout her pregnancy, a humble approximation of the snack
sold for pennies on Calcutta sidewalks and on railway platforms throughout
India, spilling from newspaper cones. Even now that there is barely space
inside her, it is the one thing she craves. Tasting from a cupped palm, she
frowns; as usual, there’s something missing. She stares blankly at the
pegboard behind the countertop where her cooking utensils hang, all slightly
coated with grease. She wipes sweat from her face with the free end of her
sari. Her swollen feet ache against speckled gray linoleum. Her pelvis aches
from the baby’s weight. She opens a cupboard, the shelves lined with a grimy
yellow-and-white-checkered paper she’s been meaning to replace, and
reaches for another onion, frowning again as she pulls at its crisp magenta
skin. A curious warmth floods her abdomen, followed by a tightening so
severe she doubles over, gasping without sound, dropping the onion with a
thud on the floor.
The sensation passes, only to be followed by a more enduring
spasm of discomfort. In the bathroom she discovers, on her underpants, a
solid streak of brownish blood. She calls out to her husband, Ashoke, a
doctoral candidate in electrical engineering at MIT, who is studying in the
bedroom. He leans over a card table; the edge of their bed, two twin
mattresses pushed together under a red and purple batik spread, serves as
his chair. When she calls out to Ashoke, she doesn’t say his name.
Ashima never thinks of her husband’s name when she thinks of her husband,
even though she knows perfectly well what it is. She has adopted his
surname but refuses, for propriety’s sake, to utter his first. It’s not the type of
thing Bengali wives do. Like a kiss or caress in a Hindi movie, a husband’s
name is something intimate and therefore unspoken, cleverly patched over.
And so, instead of saying Ashoke’s name, she utters the interrogative that
has come to replace it, which translates roughly as “Are you listening to me?”

At dawn a taxi is called to ferry them through deserted Cambridge streets,
up Massachusetts Avenue and past Harvard Yard, to Mount Auburn Hospital.
Ashima registers, answering questions about the frequency and duration of
the contractions, as Ashoke fills out the forms. She is seated in a
wheelchair and pushed through the shining, brightly lit corridors, whisked into
an elevator more spacious than her kitchen. On the maternity floor she is
assigned to a bed by a window, in a room at the end of the hall. She is asked
to remove her Murshidabad silk sari in favor of a flowered cotton gown that, to
her mild embarrassment, only reaches her knees. A nurse offers to fold up
the sari but, exasperated by the six slippery yards, ends up stuffing the
material into Ashima’s slate blue suitcase. Her obstetrician, Dr. Ashley,
gauntly handsome in a Lord Mountbatten sort of way, with fine sand-colored
hair swept back from his temples, arrives to examine her progress. The
baby’s head is in the proper position, has already begun its descent. She is
told that she is still in early labor, three centimeters dilated, beginning to
efface. “What does it mean, dilated?” she asks, and Dr. Ashley holds up
two fingers side by side, then draws them apart, explaining the unimaginable
thing her body must do in order for the baby to pass. The process will take
some time, Dr. Ashley tells her; given that this is her first pregnancy, labor
can take twenty-four hours, sometimes more. She searches for Ashoke’s
face, but he has stepped behind the curtain the doctor has drawn. “I’ll be
back,” Ashoke says to her in Bengali, and then a nurse adds: “Don’t you
worry, Mr. Ganguli. She’s got a long ways to go. We can take over from
Now she is alone, cut off by curtains from the three other women
in the room. One woman’s name, she gathers from bits of conversation, is
Beverly. Another is Lois. Carol lies to her left. “Goddamnit, goddamn you,
this is hell,” she hears one of them say. And then a man’s voice: “I love
you, sweetheart.” Words Ashima has neither heard nor expects to hear from
her own husband; this is not how they are. It is the first time in her life she
has slept alone, surrounded by strangers; all her life she has slept either in a
room with her parents, or with Ashoke at her side. She wishes the curtains
were open, so that she could talk to the American women. Perhaps one of
them has given birth before, can tell her what to expect. But she has
gathered that Americans, in spite of their public declarations of affection, in
spite of their miniskirts and bikinis, in spite of their hand-holding on the
street and lying on top of each other on the Cambridge Common, prefer their
privacy. She spreads her fingers over the taut, enormous drum her middle
has become, wondering where the baby’s feet and hands are at this
moment. The child is no longer restless; for the past few days, apart from the
occasional flutter, she has not felt it punch or kick or press against her ribs.
She wonders if she is the only Indian person in the hospital, but a gentle
twitch from the baby reminds her that she is, technically speaking, not
alone. Ashima thinks it’s strange that her child will be born in a place most
people enter either to suffer or to die. There is nothing to comfort her in the off-
white tiles of the floor, the off-white panels of the ceiling, the white sheets
tucked tightly into the bed. In India, she thinks to herself, women go home to
their parents to give birth, away from husbands and in-laws and household
cares, retreating brie.y to childhood when the baby arrives.
Another contraction begins, more violent than the last. She cries
out, pressing her head against the pillow. Her fingers grip the chilly rails of
the bed. No one hears her, no nurse rushes to her side. She has been
instructed to time the duration of the contractions and so she consults her
watch, a bon voyage gift from her parents, slipped over her wrist the last
time she saw them, amid airport confusion and tears. It wasn’t until she was
on the plane, flying for the first time in her life on a BOAC VC-10 whose
deafening ascent twenty-six members of her family had watched from the
balcony at Dum Dum Airport, as she was drifting over parts of India she’d
never set foot in, and then even farther, outside India itself, that she’d
noticed the watch among the cavalcade of matrimonial bracelets on both her
arms: iron, gold, coral, conch. Now, in addition, she wears a plastic bracelet
with a typed label identifying her as a patient of the hospital. She keeps the
watch face turned to the inside of her wrist. On the back, surrounded by the
words waterproof, antimagnetic, and shock-protected, her married initials,
A.G., are inscribed.
American seconds tick on top of her pulse point. For half a
minute, a band of pain wraps around her stomach, radiating toward her
back and shooting down her legs. And then, again, relief. She calculates the
Indian time on her hands. The tip of her thumb strikes each rung of the brown
ladders etched onto the backs of her fingers, then stops at the middle of the
third: it is nine and a half hours ahead in Calcutta, already evening, half past
eight. In the kitchen of her parents’ flat on Amherst Street, at this very
moment, a servant is pouring after-dinner tea into steaming glasses,
arranging Marie biscuits on a tray. Her mother, very soon to be a
grandmother, is standing at the mirror of her dressing table, untangling
waist-length hair, still more black than gray, with her fingers. Her father
hunches over his slanted ink-stained table by the window, sketching,
smoking, listening to the Voice of America. Her younger brother, Rana,
studies for a physics exam on the bed. She pictures clearly the gray cement
floor of her parents’ sitting room, feels its solid chill underfoot even on the
hottest days. An enormous black-and-white photograph of her deceased
paternal grandfather looms at one end against the pink plaster wall; opposite,
an alcove shielded by clouded panes of glass is stuffed with books and
papers and her father’s watercolor tins. For an instant the weight of the baby
vanishes, replaced by the scene that passes before her eyes, only to be
replaced once more by a blue strip of the Charles River, thick green
treetops, cars gliding up and down Memorial Drive.
In Cambridge it is eleven in the morning, already lunchtime in the
hospital’s accelerated day. A tray holding warm apple juice, Jell-O, ice
cream, and cold baked chicken is brought to her side. Patty, the friendly
nurse with the diamond engagement ring and a fringe of reddish hair
beneath her cap, tells Ashima to consume only the Jell-O and the apple
juice. It’s just as well. Ashima would not have touched the chicken, even if
permitted; Americans eat their chicken in its skin, though Ashima has
recently found a kind butcher on Prospect Street willing to pull it off for her.
Patty comes to fluff the pillows, tidy the bed. Dr. Ashley pokes in his head
from time to time. “No need to worry,” he chirps, putting a stethoscope to
Ashima’s belly, patting her hand, admiring her various bracelets. “Everything
is looking perfectly normal. We are expecting a perfectly normal delivery,
Mrs. Ganguli.”
But nothing feels normal to Ashima. For the past eighteen
months, ever since she’s arrived in Cambridge, nothing has felt normal at
all. It’s not so much the pain, which she knows, somehow, she will survive.
It’s the consequence: motherhood in a foreign land. For it was one thing to be
pregnant, to suffer the queasy mornings in bed, the sleepless nights, the
dull throbbing in her back, the countless visits to the bathroom.
Throughout the experience, in spite of her growing discomfort,
she’d been astonished by her body’s ability to make life, exactly as her
mother and grandmother and all her great-grandmothers had done. That it
was happening so far from home, unmonitored and unobserved by those
she loved, had made it more miraculous still. But she is terrified to raise a
child in a country where she is related to no one, where she knows so little,
where life seems so tentative and spare.
“How about a little walk? It might do you good,” Patty asks when
she comes to clear the lunch tray.
Ashima looks up from a tattered copy of Desh magazine that
she’d brought to read on her plane ride to Boston and still cannot bring
herself to throw away. The printed pages of Bengali type, slightly rough to
the touch, are a perpetual comfort to her. She’s read each of the short stories
and poems and articles a dozen times. There is a pen-and-ink drawing on
page eleven by her father, an illustrator for the magazine: a view of the North
Calcutta skyline sketched from the roof of their flat one foggy January
morning. She had stood behind her father as he’d drawn it, watching as he
crouched over his easel, a cigarette dangling from his lips, his shoulders
wrapped in a black Kashmiri shawl.
“Yes, all right,” Ashima says.
Patty helps Ashima out of bed, tucks her feet one by one into
slippers, drapes a second nightgown around her shoulders. “Just think,”
Patty says as Ashima struggles to stand. “In a day or two you’ll be half the
size.” She takes Ashima’s arm as they step out of the room, into the
hallway. After a few feet Ashima stops, her legs trembling as another wave
of pain surges through her body. She shakes her head, her eyes filling with
tears. “I cannot.”
“You can. Squeeze my hand. Squeeze as tight as you like.”
After a minute they continue on, toward the nurses’
station. “Hoping for a boy or a girl?” Patty asks.
“As long as there are ten finger and ten toe,” Ashima replies. For
these anatomical details, these particular signs of life, are the ones she has
the most difficulty picturing when she imagines the baby in her arms.
Patty smiles, a little too widely, and suddenly Ashima realizes
her error, knows she should have said “fingers” and “toes.” This error pains
her almost as much as her last contraction. English had been her subject. In
Calcutta, before she was married, she was working toward a college
degree. She used to tutor neighborhood schoolchildren in their homes, on
their verandas and beds, helping them to memorize Tennyson and
Wordsworth, to pronounce words like sign and cough, to understand the
difference between Aristotelian and Shakespearean tragedy. But in Bengali, a
finger can also mean fingers, a toe toes.
It had been after tutoring one day that Ashima’s mother had met
her at the door, told her to go straight to the bedroom and prepare herself; a
man was waiting to see her. He was the third in as many months. The first
had been a widower with four children. The second, a newspaper cartoonist
who knew her father, had been hit by a bus in Esplanade and lost his left
arm. To her great relief they had both rejected her. She was nineteen, in the
middle of her studies, in no rush to be a bride. And so, obediently but
without expectation, she had untangled and rebraided her hair, wiped away
the kohl that had smudged below her eyes, patted some Cuticura powder
from a velvet puff onto her skin. The sheer parrot green sari she pleated and
tucked into her petticoat had been laid out for her on the bed by her mother.
Before entering the sitting room, Ashima had paused in the corridor. She
could hear her mother saying, “She is fond of cooking, and she can knit
extremely well. Within a week she finished this cardigan I am wearing.”
Ashima smiled, amused by her mother’s salesmanship; it had
taken her the better part of a year to finish the cardigan, and still her mother
had had to do the sleeves. Glancing at the floor where visitors customarily
removed their slippers, she noticed, beside two sets of chappals, a pair of
men’s shoes that were not like any she’d ever seen on the streets and
trams and buses of Calcutta, or even in the windows of Bata. They were
brown shoes with black heels and off-white laces and stitching. There was a
band of lentil-sized holes embossed on either side of each shoe, and at the
tips was a pretty pattern pricked into the leather as if with a needle. Looking
more closely, she saw the shoemaker’s name written on the insides, in gold
lettering that had all but faded: something and sons, it said. She saw the
size, eight and a half, and the initials U.S.A. And as her mother continued
to sing her praises, Ashima, unable to resist a sudden and overwhelming
urge, stepped into the shoes at her feet. Lingering sweat from the owner’s
feet mingled with hers, causing her heart to race; it was the closest thing she
had ever experienced to the touch of a man. The leather was creased, heavy,
and still warm. On the left shoe she had noticed that one of the crisscrossing
laces had missed a hole, and this oversight set her at ease.
She extracted her feet, entered the room. The man was sitting in
a rattan chair, his parents perched on the edge of the twin bed where her
brother slept at night. He was slightly plump, scholarly-looking but still
youthful, with black thick-framed glasses and a sharp, prominent nose. A
neatly trimmed mustache connected to a beard that covered only his chin
lent him an elegant, vaguely aristocratic air. He wore brown socks and
brown trousers and a green-and-white-striped shirt and was staring glumly at
his knees.
He did not look up when she appeared. Though she was aware of
his gaze as she crossed the room, by the time she managed to steal
another look at him he was once again indifferent, focused on his knees. He
cleared his throat as if to speak but then said nothing. Instead it was his
father who did the talking, saying that the man had gone to St. Xavier’s, and
then B.E. College, graduating first-class-first from both institutions. Ashima
took her seat and smoothed the pleats of her sari. She sensed the mother
eyeing her with approval. Ashima was five feet four inches, tall for a Bengali
woman, ninety-nine pounds. Her complexion was on the dark side of fair, but
she had been compared on more than one occasion to the actress Madhabi
Mukherjee. Her nails were admirably long, her fingers, like her father’s,
artistically slim. They inquired after her studies and she was asked to recite
a few stanzas from “The Daffodils.” The man’s family lived in Alipore. The
father was a labor officer for the customs department of a shipping
company. “My son has been living abroad for two years,” the man’s father
said, “earning a Ph.D. in Boston, researching in the field of fiber optics.”
Ashima had never heard of Boston, or of fiber optics. She was asked
whether she was willing to fly on a plane and then if she was capable of living
in a city characterized by severe, snowy winters, alone.
“Won’t he be there?” she’d asked, pointing to the man whose
shoes she’d briefly occupied, but who had yet to say a word to her.
It was only after the betrothal that she’d learned his name. One
week later the invitations were printed, and two weeks after that she was
adorned and adjusted by countless aunts, countless cousins hovering
around her. These were her last moments as Ashima Bhaduri, before
becoming Ashima Ganguli. Her lips were darkened, her brow and cheeks
dotted with sandalwood paste, her hair wound up, bound with flowers, held in
place by a hundred wire pins that would take an hour to remove once the
wedding was finally over. Her head was draped with scarlet netting. The air
was damp, and in spite of the pins Ashima’s hair, thickest of all the cousins’,
would not lie flat. She wore all the necklaces and chokers and bracelets that
were destined to live most of their lives in an extra-large safety deposit box in
a bank vault in New England. At the designated hour she was seated on a
piri that her father had decorated, hoisted five feet off the ground, carried out
to meet the groom. She had hidden her face with a heart-shaped betel leaf,
kept her head bent low until she had circled him seven times.
Eight thousand miles away in Cambridge, she has come to know
him. In the evenings she cooks for him, hoping to please, with the
unrationed, remarkably unblemished sugar, flour, rice, and salt she had
written about to her mother in her very first letter home. By now she has
learned that her husband likes his food on the salty side, that his favorite
thing about lamb curry is the potatoes, and that he likes to finish his dinner
with a small final helping of rice and dal. At night, lying beside her in bed, he
listens to her describe the events of her day: her walks along Massachusetts
Avenue, the shops she visits, the Hare Krishnas who pester her with their
leaflets, the pistachio ice cream cones she treats herself to in Harvard
Square. In spite of his meager graduate student wages he sets aside money
to send every few months to his father to help put an extension on his
parents’ house. He is fastidious about his clothing; their first argument had
been over a sweater she’d shrunk in the washing machine. As soon as he
comes home from the university the first thing he does is hang up his shirt
and trousers, donning a pair of drawstring pajamas and a pullover if it’s cold.
On Sundays he spends an hour occupied with his tins of shoe polishes and
his three pairs of shoes, two black and one brown. The brown ones are the
ones he’d been wearing when he’d first come to see her. The sight of him
cross-legged on newspapers spread on the floor, intently whisking a brush
over the leather, always reminds her of her indiscretion in her parents’
corridor. It is a moment that shocks her still, and that she prefers, in spite of
all she tells him at night about the life they now share, to keep to herself.

On another floor of the hospital, in a waiting room, Ashoke hunches over a
Boston Globe from a month ago, abandoned on a neighboring chair. He
reads about the riots that took place during the Democratic National
Convention in Chicago and about Dr. Benjamin Spock, the baby doctor, being
sentenced to two years in jail for threatening to counsel draft evaders. The
Favre Leuba strapped to his wrist is running six minutes ahead of the large
gray-faced clock on the wall. It is four-thirty in the morning. An hour before,
Ashoke had been fast asleep, at home, Ashima’s side of the bed covered
with exams he’d been grading late at night, when the telephone rang. Ashima
was fully dilated and being taken to the delivery room, the person on the
other end had said. Upon arrival at the hospital he was told that she was
pushing, that it could be any minute now. Any minute. And yet it seemed
only the other day, one steel-colored winter’s morning when the windows of
the house were being pelted with hail, that she had spit out her tea, accusing
him of mistaking the salt for sugar. To prove himself right he had taken a sip
of the sweet liquid from her cup, but she had insisted on its bitterness, and
poured it down the sink. That was the first thing that had caused her to
suspect, and then the doctor had confirmed it, and then he would wake to the
sounds, every morning when she went to brush her teeth, of her retching.
Before he left for the university he would leave a cup of tea by the side of the
bed, where she lay listless and silent. Often, returning in the evenings, he
would find her still lying there, the tea untouched.
He now desperately needs a cup of tea for himself, not having
managed to make one before leaving the house. But the machine in the
corridor dispenses only coffee, tepid at best, in paper cups. He takes off his
thick-rimmed glasses, fitted by a Calcutta optometrist, polishes the lenses
with the cotton handkerchief he always keeps in his pocket, A for Ashoke
embroidered by his mother in light blue thread. His black hair, normally
combed back neatly from his forehead, is disheveled, sections of it on end.
He stands and begins pacing as the other expectant fathers do. So far, the
door to the waiting room has opened twice, and a nurse has announced
that one of them has a boy or a girl. There are handshakes all around, pats
on the back, before the father is escorted away. The men wait with cigars,
flowers, address books, bottles of champagne. They smoke cigarettes,
ashing onto the floor. Ashoke is indifferent to such indulgences. He neither
smokes nor drinks alcohol of any kind. Ashima is the one who keeps all their
addresses, in a small notebook she carries in her purse. It has never
occurred to him to buy his wife flowers.
He returns to the Globe, still pacing as he reads. A slight limp
causes Ashoke’s right foot to drag almost imperceptibly with each step.
Since childhood he has had the habit and the ability to read while walking,
holding a book in one hand on his way to school, from room to room in his
parents’ three-story house in Alipore, and up and down the red clay stairs.
Nothing roused him. Nothing distracted him. Nothing caused him to
stumble. As a teenager he had gone through all of Dickens. He read newer
authors as well, Graham Greene and Somerset Maugham, all purchased
from his favorite stall on College Street with pujo money. But most of all he
loved the Russians. His paternal grandfather, a former professor of European
literature at Calcutta University, had read from them aloud in English
translations when Ashoke was a boy. Each day at tea time, as his brothers
and sisters played kabadi and cricket outside, Ashoke would go to his
grandfather’s room, and for an hour his grandfather would read supine on the
bed, his ankles crossed and the book propped open on his chest, Ashoke
curled at his side. For that hour Ashoke was deaf and blind to the world
around him. He did not hear his brothers and sisters laughing on the rooftop,
or see the tiny, dusty, cluttered room in which his grandfather read. “Read all
the Russians, and then reread them,” his grandfather had said. “They will
never fail you.” When Ashoke’s English was good enough, he began to read
the books himself. It was while walking on some of the world’s noisiest,
busiest streets, on Chowringhee and Gariahat Road, that he had read pages
of The Brothers Karamazov, and Anna Karenina, and Fathers and Sons.
Once, a younger cousin who had tried to imitate him had fallen down the red
clay staircase in Ashoke’s house and broken an arm. Ashoke’s mother was
always convinced that her eldest son would be hit by a bus or a tram, his
nose deep into War and Peace. That he would be reading a book the
moment he died.
One day, in the earliest hours of October 20, 1961, this nearly
happened. Ashoke was twenty-two, a student at B.E. College. He was
traveling on the 83 Up Howrah–Ranchi Express to visit his grandparents for
the holidays; they had moved from Calcutta to Jamshedpur upon his
grandfather’s retirement from the university. Ashoke had never spent the
holidays away from his family. But his grandfather had recently gone blind,
and he had requested Ashoke’s company specifically, to read him The
Statesman in the morning, Dostoyevsky and Tolstoy in the afternoon.
Ashoke accepted the invitation eagerly. He carried two suitcases, the first
one containing clothes and gifts, the second empty. For it would be on this
visit, his grandfather had said, that the books in his glass-fronted case,
collected over a lifetime and preserved under lock and key, would be given
to Ashoke. The books had been promised to Ashoke throughout his
childhood, and for as long as he could remember he had coveted them more
than anything else in the world. He had already received a few in recent
years, given to him on birthdays and other special occasions. But now that
the day had come to inherit the rest, a day his grandfather could no longer
read the books himself, Ashoke was saddened, and as he placed the empty
suitcase under his seat, he was disconcerted by its weightlessness, regretful
of the circumstances that would cause it, upon his return, to be full.
He carried a single volume for the journey, a hardbound collection
of short stories by Nikolai Gogol, which his grandfather had given him when
he’d graduated from class twelve. On the title page, beneath his
grandfather’s signature, Ashoke had written his own. Because of Ashoke’s
passion for this particular book, the spine had recently split, threatening to
divide the pages into two sections. His favorite story in the book was the
last, “The Overcoat,” and that was the one Ashoke had begun to reread as
the train pulled out of Howrah Station late in the evening with a prolonged and
deafening shriek, away from his parents and his six younger brothers and
sisters, all of whom had come to see him off and had huddled until the last
moment by the window, waving to him from the long dusky platform. He had
read “The Overcoat” too many times to count, certain sentences and phrases
embedded in his memory. Each time he was captivated by the absurd,
tragic, yet oddly inspiring story of Akaky Akakyevich, the impoverished
main character who spends his life meekly copying documents written by
others and suffering the ridicule of absolutely everyone. His heart went out to
poor Akaky, a humble clerk just as Ashoke’s father had been at the start of
his career. Each time, reading the account of Akaky’s christening, and the
series of queer names his mother had rejected, Ashoke laughed aloud. He
shuddered at the description of the tailor Petrovich’s big toe, “with its
deformed nail as thick and hard as the shell of a tortoise.” His mouth
watered at the cold veal and cream pastries and champagne Akaky
consumed the night his precious coat was stolen, in spite of the fact that
Ashoke had never tasted these things himself. Ashoke was always
devastated when Akaky was robbed in “a square that looked to him like a
dreadful desert,” leaving him cold and vulnerable, and Akaky’s death, some
pages later, never failed to bring tears to his eyes. In some ways the story
made less sense each time he read it, the scenes he pictured so vividly, and
absorbed so fully, growing more elusive and profound. Just as Akaky’s ghost
haunted the final pages, so did it haunt a place deep in Ashoke’s soul,
shedding light on all that was irrational, all that was inevitable about the world.
Outside the view turned quickly black, the scattered lights of
Howrah giving way to nothing at all. He had a second-class sleeper in the
seventh bogie, behind the air-conditioned coach. Because of the season,
the train was especially crowded, especially raucous, filled with families on
holiday. Small children were wearing their best clothing, the girls with
brightly colored ribbons in their hair. Though he had had his dinner before
leaving for the station, a four-layer tiffin carrier packed by his mother sat at
his feet, in the event that hunger should attack him in the night. He shared
his compartment with three others. There was a middle-aged Bihari couple
who, he gathered from overhearing their conversation, had just married off
their eldest daughter, and a friendly, potbellied, middle-aged Bengali
businessman wearing a suit and tie, by the name of Ghosh. Ghosh told
Ashoke that he had recently returned to India after spending two years in
England on a job voucher, but that he had come back home because his wife
was inconsolably miserable abroad. Ghosh spoke reverently of England. The
sparkling, empty streets, the polished black cars, the rows of gleaming white
houses, he said, were like a dream. Trains departed and arrived according to
schedule, Ghosh said. No one spat on the sidewalks. It was in a British
hospital that his son had been born.
“Seen much of this world?” Ghosh asked Ashoke, untying his
shoes and settling himself cross-legged on the berth. He pulled a packet of
Dunhill cigarettes from his jacket pocket, offering them around the
compartment before lighting one for himself.
“Once to Delhi,” Ashoke replied. “And lately once a year to
Ghosh extended his arm out the window, flicking the glowing tip of
his cigarette into the night. “Not this world,” he said, glancing disappointedly
about the interior of the train. He tilted his head toward the window.
“England. America,” he said, as if the nameless villages they passed had
been replaced by those countries. “Have you considered going there?”
“My professors mention it from time to time. But I have a family,”
Ashoke said.
Ghosh frowned. “Already married?”
“No. A mother and father and six siblings. I am the eldest.”
“And in a few years you will be married and living in your parents’
house,” Ghosh speculated.
“I suppose.”
Ghosh shook his head. “You are still young. Free,” he said,
spreading his hands apart for emphasis. “Do yourself a favor. Before it’s too
late, without thinking too much about it first, pack a pillow and a blanket
and see as much of the world as you can. You will not regret it. One day it
will be too late.”
“My grandfather always says that’s what books are for,” Ashoke
said, using the opportunity to open the volume in his hands. “To travel
without moving an inch.”
“To each his own,” Ghosh said. He tipped his head politely to one
side, letting the last of the cigarette drop from his fingertips. He reached
into a bag by his feet and took out his diary, turning to the twentieth of
October. The page was blank and on it, with a fountain pen whose cap he
ceremoniously unscrewed, he wrote his name and address. He ripped out
the page and handed it to Ashoke. “If you ever change your mind and need
contacts, let me know. I live in Tollygunge, just behind the tram depot.”
“Thank you,” Ashoke said, folding up the information and putting it
at the back of his book.
“How about a game of cards?” Ghosh suggested. He pulled out a
well-worn deck from his suit pocket, with Big Ben’s image on the back. But
Ashoke politely declined, for he knew no card games, and besides which,
he preferred to read. One by one the passengers brushed their teeth in the
vestibule, changed into their pajamas, fastened the curtain around their
compartments, and went to sleep. Ghosh offered to take the upper berth,
climbing barefoot up the ladder, his suit carefully folded away, so that
Ashoke had the window to himself. The Bihari couple shared some sweets
from a box and drank water from the same cup without either of them
putting their lips to the rim, then settled into their berths as well, switching off
the lights and turning their heads to the wall.
Only Ashoke continued to read, still seated, still dressed. A
single small bulb glowed dimly over his head. From time to time he looked
through the open window at the inky Bengal night, at the vague shapes of
palm trees and the simplest of homes. Carefully he turned the soft yellow
pages of his book, a few delicately tunneled by worms. The steam engine
puffed reassuringly, powerfully. Deep in his chest he felt the rough jostle of
the wheels. Sparks from the smokestack passed by his window. A fine
layer of sticky soot dotted one side of his face, his eyelid, his arm, his neck;
his grandmother would insist that he scrub himself with a cake of Margo soap
as soon as he arrived. Immersed in the sartorial plight of Akaky Akakyevich,
lost in the wide, snow-white, windy avenues of St. Petersburg, unaware that
one day he was to dwell in a snowy place himself, Ashoke was still reading
at two-thirty in the morning, one of the few passengers on the train who was
awake, when the locomotive engine and seven bogies derailed from the
broad-gauge line. The sound was like a bomb exploding. The first four bogies
capsized into a depression alongside the track. The fifth and sixth,
containing the first-class and air-conditioned passengers, telescoped into
each other, killing the passengers in their sleep. The seventh, where Ashoke
was sitting, capsized as well, flung by the speed of the crash farther into the
field. The accident occurred 209 kilometers from Calcutta, between the
Ghatshila and Dhalbumgarh stations. The train guard’s portable phone would
not work; it was only after the guard ran nearly five kilometers from the site of
the accident, to Ghatshila, that he was able to transmit the first message for
help. Over an hour passed before the rescuers arrived, bearing lanterns and
shovels and axes to pry bodies from the cars.
Ashoke can still remember their shouts, asking if anyone was
alive. He remembers trying to shout back, unsuccessfully, his mouth
emitting nothing but the faintest rasp. He remembers the sound of people half-
dead around him, moaning and tapping on the walls of the train, whispering
hoarsely for help, words that only those who were also trapped and injured
could possibly hear. Blood drenched his chest and the right arm of his shirt.
He had been thrust partway out the window. He remembers being unable to
see anything at all; for the first hours he thought that perhaps, like his
grandfather whom he was on his way to visit, he’d gone blind. He
remembers the acrid odor of flames, the buzzing of flies, children crying, the
taste of dust and blood on his tongue. They were nowhere, somewhere in a
field. Milling about them were villagers, police inspectors, a few doctors. He
remembers believing that he was dying, that perhaps he was already dead.
He could not feel the lower half of his body, and so was unaware that the
mangled limbs of Ghosh were draped over his legs. Eventually he saw the
cold, unfriendly blue of earliest morning, the moon and a few stars still
lingering in the sky. The pages of his book, which had been tossed from his
hand, fluttered in two sections a few feet away from the train. The glare from
a search lantern briefly caught the pages, momentarily distracting one of the
rescuers. “Nothing here,” Ashoke heard someone say. “Let’s keep going.”
But the lantern’s light lingered, just long enough for Ashoke to
raise his hand, a gesture that he believed would consume the small
fragment of life left in him. He was still clutching a single page of “The
Overcoat,” crumpled tightly in his fist, and when he raised his hand the wad
of paper dropped from his fingers. “Wait!” he heard a voice cry out. “The fellow
by that book. I saw him move.”
He was pulled from the wreckage, placed on a stretcher,
transported on another train to a hospital in Tatanagar. He had broken his
pelvis, his right femur, and three of his ribs on the right side. For the next
year of his life he lay flat on his back, ordered to keep as still as possible
as the bones of his body healed. There was a risk that his right leg might be
permanently paralyzed. He was transferred to Calcutta Medical College,
where two screws were put into his hips. By December he had returned to
his parents’ house in Alipore, carried through the courtyard and up the red
clay stairs like a corpse, hoisted on the shoulders of his four brothers.
Three times a day he was spoon-fed. He urinated and defecated into a tin
pan. Doctors and visitors came and went. Even his blind grandfather from
Jamshedpur paid a visit. His family had saved the newspaper accounts. In a
photograph, he observed the train smashed to shards, piled jaggedly
against the sky, security guards sitting on the unclaimed belongings. He
learned that fishplates and bolts had been found several feet from the main
track, giving rise to the suspicion, never subsequently confirmed, of
sabotage. That bodies had been mutilated beyond recognition. “Holiday-
Makers’ Tryst with Death,” the Times of India had written.
In the beginning, for most of the day, he had stared at his
bedroom ceiling, at the three beige blades of the fan churning at its center,
their edges grimy. He could hear the top edge of a calendar scraping
against the wall behind him when the fan was on. If he moved his neck to the
right he had a view of a window with a dusty bottle of Dettol on its ledge and,
if the shutters were open, the concrete of the wall that surrounded the house,
the pale brown geckos that scampered there. He listened to the constant
parade of sounds outside, footsteps, bicycle bells, the incessant squawking
of crows and of the horns of cycle rickshaws in the lane so narrow that taxis
could not fit. He heard the tube well at the corner being pumped into urns.
Every evening at dusk he heard a conch shell being blown in the house next
door to signal the hour for prayer. He could smell but not see the shimmering
green sludge that collected in the open sewer. Life within the house
continued. His father came and went from work, his brothers and sisters from
school. His mother worked in the kitchen, checking in on him periodically,
her lap stained with turmeric. Twice daily the maid twisted rags into buckets
of water and wiped the floors.
During the day he was groggy from painkillers. At night he
dreamed either that he was still trapped inside the train or, worse, that the
accident had never happened, that he was walking down a street, taking a
bath, sitting cross-legged on the floor and eating a plate of food. And then
he would wake up, coated in sweat, tears streaming down his face,
convinced that he would never live to do such things again. Eventually, in an
attempt to avoid his nightmares, he began to read, late at night, which was
when his motionless body felt most restless, his mind agile and clear. Yet he
refused to read the Russians his grandfather had brought to his bedside, or
any novels, for that matter. Those books, set in countries he had never seen,
reminded him only of his confinement. Instead he read his engineering
books, trying his best to keep up with his courses, solving equations by
flashlight. In those silent hours, he thought often of Ghosh. “Pack a pillow
and a blanket,” he heard Ghosh say. He remembered the address Ghosh had
written on a page of his diary, somewhere behind the tram depot in
Tollygunge. Now it was the home of a widow, a fatherless son. Each day, to
bolster his spirits, his family reminded him of the future, the day he would
stand unassisted, walk across the room. It was for this, each day, that his
father and mother prayed. For this that his mother gave up meat on
Wednesdays. But as the months passed, Ashoke began to envision another
sort of future. He imagined not only walking, but walking away, as far as he
could from the place in which he was born and in which he had nearly died.
The following year, with the aid of a cane, he returned to college and
graduated, and without telling his parents he applied to continue his
engineering studies abroad. Only after he’d been accepted with a full
fellowship, a newly issued passport in hand, did he inform them of his
plans. “But we already nearly lost you once,” his bewildered father had
protested. His siblings had pleaded and wept. His mother, speechless, had
refused food for three days. In spite of all that, he’d gone.
Seven years later, there are still certain images that wipe him flat.
They lurk around a corner as he rushes through the engineering department
at MIT, checks his campus mail. They hover by his shoulder as he leans
over a plate of rice at dinnertime or nestles against Ashima’s limbs at night.
At every turning point in his life—at his wedding when he stood behind
Ashima, encircling her waist and peering over her shoulder as they poured
puffed rice into a fire, or during his first hours in America, seeing a small gray
city caked with snow—he has tried but failed to push these images away:
the twisted, battered, capsized bogies of the train, his body twisted below it,
the terrible crunching sound he had heard but not comprehended, his bones
crushed as fine as flour. It is not the memory of pain that haunts him; he has
no memory of that. It is the memory of waiting before he was rescued, and
the persistent fear, rising up in his throat, that he might not have been
rescued at all. To this day he is claustrophobic, holding his breath in
elevators, feels pent-up in cars unless the windows are open on both sides.
On planes he requests the bulkhead seat. At times the wailing of children fills
him with deepest dread. At times he still presses his ribs to make sure they
are solid.
He presses them now, in the hospital, shaking his head in relief,
disbelief. Although it is Ashima who carries the child, he, too, feels heavy,
with the thought of life, of his life and the life about to come from it. He was
raised without running water, nearly killed at twenty-two. Again he tastes
the dust on his tongue, sees the twisted train, the giant overturned iron
wheels. None of this was supposed to happen. But no, he had survived it. He
was born twice in India, and then a third time, in America. Three lives by
thirty. For this he thanks his parents, and their parents, and the parents of
their parents. He does not thank God; he openly reveres Marx and quietly
refuses religion. But there is one more dead soul he has to thank. He cannot
thank the book; the book has perished, as he nearly did, in scattered pieces,
in the earliest hours of an October day, in a field 209 kilometers from
Calcutta. Instead of thanking God he thanks Gogol, the Russian writer who
had saved his life, when Patty enters the waiting room.

Copyright © 2003 by Jhumpa Lahiri. Reprinted by permission of Houghton
Mifflin Company.
... view entire excerpt...

Discussion Questions

From the author:

1. The Namesake opens with Ashima Ganguli trying to make a spicy Indian snack from American ingredients — Rice Krispies and Planters peanuts — but "as usual, there's something missing." How does Ashima try and make over her home in Cambridge to remind her of what she's left behind in Calcutta? Throughout The Namesake, how does Jhumpa Lahiri use food and clothing to explore cultural transitions — especially through rituals, like the annaprasan, the rice ceremony? Some readers have said that Lahiri's writing makes them crave the meals she evokes so beautifully. What memories or desires does Lahiri bring up for you? Does her writing ever make you "hunger"?

2. The title The Namesake reflects the struggles Gogol Ganguli goes through to identify with his unusual names. How does Gogol lose first his public name, his bhalonam, and then his private pet name, his daknam? How does he try to remake his identity, after choosing to rename himself, and what is the result? How do our names precede us in society, and how do they define us? Do you have a pet name, or a secret name — and has that name ever become publicly known? Do different people call you by different names? Did you ever wish for a new name? How are names chosen in your family?

3. Newsweek said of Lahiri's Pulitzer Prize–winning collection of short stories, Interpreter of Maladies, "Jhumpa Lahiri writes such direct, translucent prose you almost forget you're reading." The Namesake is also subtle in style, elegant, and realistically paced. How are the events of the novel simultaneously dramatic and commonplace? What details made the characters real to you? Did you ever lose yourself in the story?

4. When Gogol is born, the Gangulis meet other Bengali families with small children, and Ashima finds that with a new baby "perfect strangers, all Americans, suddenly take notice of her, smiling, congratulating her for what she's done." How, for all of us, do children change our place in the community, and what we expect from it? Have you ever connected with someone you may have otherwise never spoken to — of a different ethnic background or economic class — through his children or your own?

5. In his youth, Ashoke Ganguli is saved from a massive train wreck in India. When his son, Gogol, is born, Ashoke thinks, "Being rescued from that shattered train had been the first miracle of his life. But here, now, reposing in his arms, weighing next to nothing but changing everything, is the second." Is Ashoke's love for his family more poignant because of his brush with death? Why do you think he hides his past from Gogol? What moments define us more — accidents or achievements, mourning or celebration?

6. Lahiri has said, "The question of identity is always a difficult one, but especially for those who are culturally displaced, as immigrants are . . . who grow up in two worlds simultaneously." What do you think Gogol wants most from his life? How is it different from what his family wants for him, and what they wanted when they first came to America to start a family? How have expectations changed between generations in your own family? Do you want something different for your own children from what your parents wanted for you?

7. Jhumpa Lahiri has said of The Namesake, "America is a real presence in the book; the characters must struggle and come to terms with what it means to live here, to be brought up here, to belong and not belong here." Did The Namesake allow you to think of America in a new way? Do you agree that America is a real presence in The Namesake? How is India also a presence in the book?

8. The marriage of Ashima and Ashoke is arranged by their families. The closest intimacy they share before their wedding is when Ashima steps briefly, secretly, into Ashoke's shoes. Gogol's romantic encounters are very different from what his parents experienced or expected for their son. What draws Gogol to his many lovers, especially to Ruth, Maxine, and eventually Moushumi? What draws them to him? From where do you think we take our notions of romantic love — from our family and friends, or from society and the media? How much does your cultural heritage define your ideas and experience of love?

9. Lahiri explores in several ways the difficulty of reconciling cross-cultural rituals around death and dying. For instance, Ashima refuses to display the rubbings of gravestones young Gogol makes with his classmates. And when Gogol's father suddenly dies, Gogol's relationship with Maxine is strained and quickly ends. Why do you think their love affair can't survive Gogol's grief? How does the loss of Gogol's father turn him back toward his family? How does it also change Sonia and Ashima's relationship?

10. Did you find the ending of The Namesake surprising? What did you expect from Moushumi and Gogol's marriage? Do you think Moushumi is entirely to blame for her infidelity? Is Gogol a victim at the end of the book? In the last few pages of The Namesake, Gogol begins to read "The Overcoat" for the first time — the book his father gave him, by his "namesake." Where do you imagine Gogol will go from here?

Notes From the Author to the Bookclub

No notes at this time.

Book Club Recommendations

Member Reviews

Overall rating:
by bridget c. (see profile) 03/29/23

by Elisa J. (see profile) 07/04/20

by Cindy F. (see profile) 06/17/20

by Taz N. (see profile) 12/31/19

I read this book for the second time and it stands the test test of time. Exploring the duality between eastern and western culture within one family, the Namesake is well written and woven tightly by... (read more)

by Kathy M. (see profile) 09/23/19

by Kam U. (see profile) 07/03/19

by Maureen W. (see profile) 06/07/19

by maria c. (see profile) 04/06/19

Couldn’t put it down.

by Nancy M. (see profile) 04/02/19

by Nash N. (see profile) 12/10/18

Rate this book
Remember me

Now serving over 80,000 book clubs & ready to welcome yours. Join us and get the Top Book Club Picks of 2022 (so far).



Get free weekly updates on top club picks, book giveaways, author events and more
Please wait...