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On Such a Full Sea: A Novel
by Chang-rae Lee

Published: 2014-01-07
Hardcover : 368 pages
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?Watching a talented writer take a risk is one of the pleasures of devoted reading, and On Such a Full Sea provides all that and more. . . . With On Such a Full Sea, [Chang-rae Lee] has found a new way to explore his old preoccupation: the oft-told tale of the desperate, betraying, ...
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Introduction

?Watching a talented writer take a risk is one of the pleasures of devoted reading, and On Such a Full Sea provides all that and more. . . . With On Such a Full Sea, [Chang-rae Lee] has found a new way to explore his old preoccupation: the oft-told tale of the desperate, betraying, lonely human heart.”?Andrew Sean Greer, The New York Times Book Review

?I've never been a fan of grand hyperbolic declarations in book reviews, but faced with On Such a Full Sea, I have no choice but to ask: Who is a greater novelist than Chang-rae Lee today?”?Porochista Khakpour, The Los Angeles Times

From the beloved award-winning author of Native Speaker and The Surrendered, a highly provocative, deeply affecting story of one woman’s legendary quest in a shocking, future America.


On Such a Full Sea takes Chang-rae Lee’s elegance of prose, his masterly storytelling, and his long-standing interests in identity, culture, work, and love, and lifts them to a new plane. Stepping from the realistic and historical territories of his previous work, Lee brings us into a world created from scratch. Against a vividly imagined future America, Lee tells a stunning, surprising, and riveting story that will change the way readers think about the world they live in.

In a future, long-declining America, society is strictly stratified by class. Long-abandoned urban neighborhoods have been repurposed as highwalled, self-contained labor colonies. And the members of the labor class?descendants of those brought over en masse many years earlier from environmentally ruined provincial China?find purpose and identity in their work to provide pristine produce and fish to the small, elite, satellite charter villages that ring the labor settlement.

In this world lives Fan, a female fish-tank diver, who leaves her home in the B-Mor settlement (once known as Baltimore), when the man she loves mysteriously disappears. Fan’s journey to find him takes her out of the safety of B-Mor, through the anarchic Open Counties, where crime is rampant with scant governmental oversight, and to a faraway charter village, in a quest that will soon become legend to those she left behind.

Editorial Review

An Amazon Best Book of the Month, January 2014: Chang-Rae Leeâ??s On Such a Full Sea is a fascinating read, in part due to the dueling instincts of the novel. The world-building is first-rate, but there is an overall feeling of allegory to the book. There is brutality in nearly every chapter, but Lee writes with such grace and skill that I often found myself just reading for the pleasure of his words. Set in a dystopian future America, where â??New Chineseâ?? have populated certain urban centers like Baltimore and Detroit, On Such a Full Sea is the story of Fan, a gifted diver who abandons the relative safety of her city to search for her disappeared boyfriend in the more lawless parts of the country. The story is narrated by a nameless voice from Baltimore (or B-Mor, as it is called in the novel), and that conceit allows the author to interject observations and commentary into the story that might otherwise seem phony. As we journey with the unassuming but strong-willed Fan, and as details are deftly revealed, Chang-Rae Lee succeeds in weaving a mesmerizing tale while revealing truths about such wide-ranging subjects as social stratification, technology, estrangement, and the reasons we tell stories. --Chris Schluep

Excerpt

It is known where we come from, but no one much cares about things like that anymore. We think, Why bother? Except for a lucky few, everyone is from someplace, but that someplace, it turns out, is gone. You can search it, you can find pix or vids that ... view entire excerpt...

Discussion Questions

1.The novel is narrated by a collective voice of B-Mor residents, telling the story of Fan from a distance of some years. Why do you think the author chose to narrate the book this way? What does the collective narration add to the book? How might it read differently if it had been told as a much closer third-person narration? What if it had been told by Fan herself?

2. How does the author implicitly explain this narrator’s ability to describe events that happened beyond the physical limits of B-Mor?

3. Legend and storytelling are major themes in the story itself—from the legend of Fan as it is narrated by the collective B-Mor residents to (within that larger story) the story Quig tells Fan about his past, the tale that Fan has heard about the brother she never really knew, and the stories represented on the murals of the kept girls in the charter village. Do these stories have anything in common with one another, either in their telling or their effect on their audience? What about the stories’ effect on the tellers themselves? What do you think the author is saying about the nature of storytelling?

4. Although the book is set in the future, in a reimagined America, it’s hard not to see our own world reflected in it. Did the novel make you view our own contemporary world any differently? In what ways? How does setting the book in the future allow the writer to express things that he wouldn’t be able to do if the book had been set in the present?

5. Fan’s journey is a quest narrative, a storytelling form that traditionally tells about a hero’s transformation. Fan, though, doesn’t fundamentally change from the start of the novel to the end. Why do you think this is true? What has changed over the course of the novel?

6. By the time the events of the novel begin, Reg has already disappeared. Why do you think the author has chosen not to introduce us to Reg as an active character during the novel?

7. There is a period of growing discontent within B-Mor. What do you think accounts for this situation? How is it resolved? Do you think Fan would have left B-Mor if Reg had not disappeared? Do you think any of the discontent within B-Mor would have occurred if Fan had not gone after Reg?

8. Think about race and how it is used in the book. In some ways this is a postracial America, but in other important ways, old prejudices linger. In addition, new divisions seem to have sprung up in place of racial discord. What are some of these divisions and how do they affect the characters and their lives? What do you think the author was trying to accomplish in this way?

9. What do you think are the most significant quality-of-life differences between the settlements and the charter villages? Where are people the happiest, and why? What are the appeals of life in the Open Counties? Why haven’t more B-Mor residents like Fan ever left their settlement? Where do you think that you would be the happiest?

Notes From the Author to the Bookclub

The New York Times Book Review - Andrew Sean Greer

Watching a talented writer take a risk is one of the pleasures of devoted reading, and On Such a Full Sea provides all that and more. It's a wonderful addition not only to Chang-rae Lee's body of work but to the ranks of "serious" writers venturing into the realm of dystopian fantasy…Lee has always been preoccupied by the themes of hope and betrayal, by the tensions that arise in small lives in the midst of great social change. His marvelous new book…takes on those concerns with his customary mastery of quiet detail—and a touch of the fantastic…A reader hoping for weird mutants and wild conflagrations has picked up the wrong book; Lee's influence is more Philip Roth than Philip K. Dick. Although he peppers On Such a Full Sea with some genre pleasures…Fan's journey through a mysterious future turns out to be a timeless exploration of the human condition.

Publishers Weekly

? 12/09/2013

Lee's (The Surrendered) latest novel is set in a dystopic future world in which the cities of Detroit and Baltimore are now facilities, called B-Mor and D-Troy by their residents, all of whom are of Asian descent. These city dwellers spend their lives in happy serfdom, working day jobs to produce goods (mostly food) for the richer Charter communities. But when Fan, an unassuming 16-year-old with a talent for diving, abandons B-Mor in search of her vanished boyfriend, Reg, the fabric of orderly B-Mor begins to fray. Lee tells the story of Fan's quest, from the facilities to the open counties (lawless places where Fan's unwavering purpose and childlike demeanor are the only things that protect her), and, finally, to a Charter called Seneca. The narrator is the collective voice of B-Mor, who often interrupts Fan's journey with digressions on the nature of legends and the impossibility of any story surviving, unaltered, the whims of the teller. It's an engrossing read, and Lee's skills as a world builder of the finest order are evident in every chapter. Late in the second half of the book, Fan is temporarily imprisoned with a group of kept girls. All of their eyes are altered to resemble those of anime characters, and they're trapped in a white dormitory, where they magic-marker their histories onto the wall. Lee's descriptions of their images—which start as truth and then careen into a fantastic blend of imagination and interpretation—are beautiful metaphors for the way stories take on lives of their own. (Jan.)

The Boston Globe

Genius… With this strange and magically grim book, Chang-rae Lee has allowed us to leave the familiar behind, all so we can see it more clearly.

Chicago Tribune

[On Such a Full Sea is] not just a fully realized, time-jumping narrative of an audacious young girl in search of lost loved ones, but an exploration of the meaning and function of narrative, of illusion and delusion, of engineered personalities and faint promises of personhood, and of one powerful nation's disappearance and how that indelibly affects another.

The Huffington Post

[Lee] writes with language that is impassioned and inventive.

NPR - Ella Allfrey

[Lee] demonstrates once again that he is a writer of great imagination and stylistic elegance…Towards the end of the story, when there is a reunion and a betrayal and the reader would surely be justified in expecting a neat conclusion — there are only more tantalizing questions. Here, for me, is Lee's mastery — On Such a Full Sea is a book that involves the reader fully in the act of telling the story. There was no point at which I felt I was merely a passive listener and this is a rare experience.

Washington Post

Hypnotic…a haunting critique of a spiritually stunted community kept satisfied with basic comforts and the promise of protection from a threatening world…Once again, Lee creates an impossibly foreign world, and with his muted, elegiac voice shows us living there. It's a brilliant, deeply unnerving portrait that might even distract you for a moment when you're battling a svelte yoga fanatic at Whole Foods for the last bag of organically grown quinoa. Run, Fan, run.

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