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Romantic,
Informative,
Dramatic

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The Serpent and the Pearl (A Novel of the Borgias)
by Kate Quinn

Published: 2013-08-06
Paperback : 432 pages
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Recommended to book clubs by 2 of 2 members
One powerful family holds a city, a faith, and a woman in its grasp—from the national bestselling author of Daughters of Rome and Mistress of Rome.

Rome, 1492. The Holy City is drenched with blood and teeming with secrets. A pope lies dying and the throne of God is left vacant, a ...
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Introduction

One powerful family holds a city, a faith, and a woman in its grasp—from the national bestselling author of Daughters of Rome and Mistress of Rome.

Rome, 1492. The Holy City is drenched with blood and teeming with secrets. A pope lies dying and the throne of God is left vacant, a prize awarded only to the most virtuous—or the most ruthless. The Borgia family begins its legendary rise, chronicled by an innocent girl who finds herself drawn into their dangerous web…

Vivacious Giulia Farnese has floor-length golden hair and the world at her feet: beauty, wealth, and a handsome young husband. But she is stunned to discover that her glittering marriage is a sham, and she is to be given as a concubine to the ruthless, charismatic Cardinal Borgia: Spaniard, sensualist, candidate for Pope—and passionately in love with her.

Two trusted companions will follow her into the Pope's shadowy harem: Leonello, a cynical bodyguard bent on bloody revenge against a mysterious killer, and Carmelina, a fiery cook with a past full of secrets. But as corruption thickens in the Vatican and the enemies begin to circle, Giulia and her friends will need all their wits to survive in the world of the Borgias.

Editorial Review

No editorial review at this time.

Excerpt

PART I

May-August, 1492

“Beauty awakens the soul to act.”
– Dante














Chapter 1


May 1492

CARMELINA

When I first came to Rome, I had nothing to my name but a tattered bundle of recipes and a mummified hand. One was my shame and the other, with a little luck, was my future. “Santa Marta, don't fail me now,” I murmured, patting the lumpy little bundle under my skirt, and knocked. ... view entire excerpt...

Discussion Questions

Which character most suitably earns the title of Serpent? The Pearl? Why?

Carmelina Mangano opens the novel. Already in the opening pages, it is noted that Carmelina possesses a cook’s nose. How does her talent as a cook change her character? Her life?

Many characters in the book are based on real people involved with the Borgias. Did you have any preconceptions of the Borgia family that shaped your expectations of the story?

How does the relationship between Giulia and Lucrezia grow or change throughout the book? Do you have any sympathy for Vannozza dei Cattanei? Why or why not?

On page 106, Madonna Adriana explains, “My boy [Orsino] will need help if he’s to get on as he should,” in response to Giulia’s accusation that she is a terrible mother. Do you understand her choices or do you find them inexcusable?

Giulia’s mother told her that a woman has three possible fates: “Wife, nun—or whore. And once you’ve chosen, there’s no changing it” (p. 119). Carmelina disagrees. Discuss the female characters and assign each the label of ’wife,’ ’nun,’ or ’whore.’ Why did you choose what you did? Do you agree with Giulia’s mother or Carmlina? Why?

How is Madonna Adriana’s relationship with Rodrigo Borgia (her cousin) similar to Giulia’s with Sandro or Carmelina’s with Marco? How do the three women manage the men who control their lives, when it comes to getting their own way?

Once Leonello was named Giulia’s bodyguard, all three narrators had a chance to meet for the first time in Carmelina’s kitchen. What did you suspect would become of them? How did you think they would interact?

During Lucrezia’s bridal processional to the Vatican, Leonello reflects on the crowd: “They would be pleased by the pomp, dazzled rather than offended. The Borgias, in the eyes of most of the world including themselves, had been put upon the earth by God to lead sumptuous lives on behalf of the masses. Their pomp was God’s will” (p. 169). How is this similar to the way our modern culture idolizes celebrities?

Leonello is ashamed of himself when he finds cheer in the fact that the fruit vendor, Eleonora, was also staked. Were you happy that this storyline was continued? Did you suspect Cesare?

Leonello observes that “the degree to which women kiss and coo, I’ve found, is in direct proportion to the degree in which they dislike each other” (p. 311). Do you agree? How do Giulia and Carmelina relate differently to other women, from their very different stations in life? How do they relate to each other?

Giulia doesn’t walk in her brother’s funeral procession in Capodimonte because, “that wasn’t how things were done here” (p. 327). Would you prefer Giulia live in the country where she’s vilified or in the city where her relationship with the Pope removes her from judgment? How do these distinctions affect the story?

Do you suspect that Rodrigo cares to save Giulia once she’s captured by the French? Why or why not?

Giulia reflects on the difference between passion and love, declaring that Rodrigo and Orsino both feel passion for her but not love. Do you agree? Are any of the female characters capable of inspiring love?

Notes From the Author to the Bookclub

No notes at this time.

Book Club Recommendations

Member Reviews

Overall rating:
 
 
  "Average Historical Fiction"by Stacey A. (see profile) 02/23/14

This book is highly rated on Goodreads so maybe my expectations were too high. Part of my issue with the book is that I've just spent the last few month reading through the Game of Thrones series and I... (read more)

 
  "Looks at the Borgias differently"by Catherine P. (see profile) 10/09/20

I really enjoyed this book. I know the story of the Borgias, but this book looks at that time period from another perspective. Where I thought of Ms. Farnese as a scheming female that ensnared a Pope,... (read more)

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