4 reviews

The Lake of Dreams: A Novel
by Kim Edwards

Published: 2011-01-04
Hardcover : 400 pages
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From Kim Edwards, the author of the #1 New York Times bestseller The Memory Keeper's Daughter, an arresting novel of one family's secret history

Imbued with all the lyricism, compassion, and suspense of her bestselling novel, The Memory Keeper's Daughter, Kim Edwards’s The Lake of ...
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From Kim Edwards, the author of the #1 New York Times bestseller The Memory Keeper's Daughter, an arresting novel of one family's secret history

Imbued with all the lyricism, compassion, and suspense of her bestselling novel, The Memory Keeper's Daughter, Kim Edwards’s The Lake of Dreams is a powerful family drama and an unforgettable story of love lost and found.

Lucy Jarrett is at a crossroads in her life, still haunted by her father's unresolved death a decade earlier. She returns to her hometown in Upstate New York, The Lake of Dreams, and, late one night, she cracks the lock of a window seat and discovers a collection of objects. They appear to be idle curiosities, but soon Lucy realizes that she has stumbled across a dark secret from her family's past, one that will radically change her—and the future of her family—forever.

The Lake of Dreams
will delight those who loved The Memory Keeper’s Daughter, as well as fans of Anna Quindlen and Sue Miller.

Editorial Review

A Letter from Kim Edwards

Dear Readers,

The Memory Keeperâ??s Daughter was that rare thing, a true word-of-mouth best seller, and I want to begin this letter by thanking all the readers who have been part of this amazing experience. I appreciate your passion for books and for stories, your intense and thoughtful conversations, and the comments you have sent to me from across the country and across the world.

Now, Iâ??m really pleased and excited to introduce you to my new novel, The Lake of Dreams. Set in the beautiful Finger Lakes area of upstate New York, this novel is the story of Lucy Jarrett and her discovery of a hidden past, glimpsed first through fragments of old letters and traces left in stained glass windows. Lucyâ??s quest through the artifacts of history brings her face to face with the dynamics she fled the summer after her father drowned; it compels her to make an inward journey, too, one that will alter her understanding of herself and change the course of her life.

The Lake of Dreams is a book Iâ??ve been imagining for a long time. Years ago I wrote a 400 page draft of a different novel that had some of these same thematic concerns, including a complex family history, the importance of the land, and the comet connecting generations. That early novel ended up in a box in my basement, as so many first novels do, though I did return to it from time to time, and once I even made it 200 pages into another version before I put it aside again. Meanwhile, I finished my story collection, The Secrets of a Fire King. I wrote The Memory Keeperâ??s Daughter.

Yet the essence of the earlier story persisted, and shortly after The Memory Keeperâ??s Daughter was finished, but before it was published, I started writing The Lake of Dreams. Those earlier, discarded drafts had finally brought me to the heart of the story, and this time I had the voice, which is always the crucial discovery. Then the characters from the past began to emerge, with all their fascinating revelations. I immersed myself in the writing, and this new novel was well underway before the excitement of the best seller lists and book tours began. When things began to quiet down again, it was a real pleasure to return to The Lake of Dreams, to Lucy and her family and the mysteries of glass, and to the story that was waiting for me there.

Iâ??ll be going on tour for The Lake of Dreams in January.

Best wishes to my readers! I hope you enjoy The Lake of Dreams.


Kim Edwards

(Photo of Kim Edwards © Deborah Feingold)



Although it is nearly midnight, an unusual light slips through a crack in the wool, brushing her arm like the feathers of a wing. In the next room her parents sleep, and the darkened village is silent, but she has lain awake all these hours and now she climbs out of bed, the floorboards rough against her feet. For weeks people have talked of nothing but the comet, how the earth will pass through clouds of poison vapors in its tail, how the world could end. She is fifteen, and all day she and her brother helped seal the house—windows, doors, even the chimney—with thick black wool, hammers tapping everywhere as their neighbors did the same. ... view entire excerpt...

Discussion Questions

From the publisher:

1.By virtue of her actions and beliefs, Rose was effectively excised from the Jarrett's family history. How unusual do you think it was for women to suffer this fate?

2.Is the name of the Jarrett family business, "Dream Master," hopeful or ominous?

3.Before she became pregnant, Rose longed to become a priest, and Lucy loved the church despite the fact that "God seemed as silent as my father, as angry as my uncle, as distant as the portrait of my great-grandfather in the hall" (p. 74). In your view, what have been some consequences of denying women the priesthood and leadership roles within the church? How has this situation changed in recent decades. How does it persist? Do you feel this should change further? If so, how? If not, why not?

4."Just knowing she had existed opened new and uneasy possibilities within my understanding of the story I thought I'd always known by heart. And I felt responsible, too" (p. 142). Why is Lucy so driven to uncover the truth about Rose? Is there a family story to which you are deeply attached? If yes, what is it and why? What happens if you try to imagine that story from the perspective of the various people involved, including those on the fringes?

5.Have you, like Lucy, ever revisited romance with an old flame while you were involved with someone new? Did you tell your new partner about your lapse? Did the encounter ultimately strengthen or weaken your new relationship?

6.Although Rose does not intend to leave Iris, her spontaneous response to the march for suffrage makes her an outcast and puts her relationship with her daughter at risk. If you are a parent, is there a cause so important to you that you would risk losing your own child in order to support it? Was the victory that Rose helped win ultimately worth her sacrifice?

7.Do you think it was Lucy's great-grandfather, Joseph, or her grandfather, Joseph, Jr., who hid the will? Why didn't he destroy it instead?

8.When they're viewing the stained-glass panel of Jesus and the woman with the alabaster jar, the Reverend Suzi explains that she is not a fallen woman and that, in the Gospels, Jesus defends her. "Yet here we are, millennia later, and we don't tell her story. We don't even have her name" (p. 339). What do you imagine her story to be?

9."Rose, I was sure, had acted out of love, yet for Iris her mother's absence had remained an unresolved sadness at the center of her life" (p. 354). Do you agree with Lucy about Rose's decision to keep her real identity a secret from Iris—even after the latter was estranged from Joseph and Cora? What has changed culturally to make such a choice seem startling today?

10.Does Lucy make the right decision in choosing to stay with Yoshi rather than renewing her love affair with Keegan? Is a romantic relationship with someone from another culture easier or more difficult to maintain?

11.Towards the end of The Lake of Dreams, Edwards writes, "the earthquakes had eased—the underwater island had finally formed" (p. 375). Discuss the ways in which Edwards employs images of the natural world throughout the novel.

12.For generations, most women have taken for granted the rights won them by the suffrage movement and the early pioneers of family planning. How did reading The Lake of Dreams alter your perception of these bygone women—especially now that birth control and abortion are, once again, hotly debated topics?

Notes From the Author to the Bookclub

Author Bio:

Kim Edwards has won numerous awards, including a Whiting Award and the Nelson Algren Award and most recently the Kentucky Literary Award for fiction. She is the author of a collection of short stories, The Secrets Of a Fire King, which was an alternate for the PEN/Hemingway Award. Her stories and essays have appeared in Ploughshares, Zoetrope, Anteaus, Story, and The Paris Review and have received a National Magazine Awards for excellence in Fiction and a Pushcart Prize. A graduate of the Iowa’s Writers’ Workshop, she currently teaches writing at the University of Kentucky. This is her first novel, which has been chosen as a Barnes and Noble Discover title. She lives in Lexington, Kentucky with her husband and daughters.


Q. Your first novel, The Memory Keeper's Daughter, sold more than four million copies and was a #1 New York Times bestseller. What was your experience writing a follow-up to such a spectacularly popular debut?

I've always written, and knew from the time I was learning to read that I wanted to be a writer, so it was completely natural for me to embark on another novel once The Memory Keeper's Daughter was complete, even before it was published. Each story begins with fragments, images, a glimpse, and in those early days with The Lake of Dreams I was doing a great deal of writing outside the narrative—character sketches and histories, writing exercises, lots and lots of free-writing of all kinds. I set myself a goal of 1,000 words a day, but I put no other constraints on the work I was doing. Very few of these early pages ended up directly in the novel, but this underlying work was necessary for me to understand the characters and the narrative. I was also reading a great deal about myths, in particular about the hero's journey and quest narratives, thinking about structure and Lucy's experiences. I read Thomas Mann's tetrology, Joseph and His Brothers, and started reading contemporary theologians, too.

Thus, by the time all the excitement began over The Memory Keeper's Daughter, I was already deeply immersed in The Lake of Dreams. I had to put writing aside altogether for a couple of years to respond to the astonishing events—The Memory Keeper's Daughter became a bestseller internationally, and won the British Book Award. When I finally came back to my desk, it was very satisfying, as well as very grounding, to return to writing in general, and to this story in particular, with so much already begun. Gradually, I was able to block out the world with all its clamor and demands and reenter the fictional world I'd been creating. Again, this shift felt quite natural and gratifying. Through times of great obscurity and times of great recognition, the constant for me, and the greatest satisfaction, has always been the writing itself.

Q. How—if at all—has success affected your job as a professor of creative writing? What advice would you give to an aspiring writer?

I've been on an extended leave in order to focus on writing, so I haven't been in the classroom much lately. The advice I'd give to beginning writers remains the same, however. First, write. Every day, in a disciplined way. Read as much as possible, read everything. Take writing classes to deepen your understanding of narrative structure and character development. Find a group of other aspiring writers and exchange manuscripts—becoming a close reader of the work of others will ultimately help you turn a clear eye on your own, and the community will help sustain you through the years it takes to master aspects of craft. Be patient, and take pleasure in the joy of writing.

Q. In The Lake of Dreams, you give a subtle nod to The Memory Keeper's Daughter when Lucy looks at the book her mother is reading and "glimpsed an ethereal baby dress against a background of black" (p. 143). Both novels have abandoned children at their heart. What draws you to explore this theme?

That's a good question. It's not personal, at least not directly—my parents have been married for fifty-five years and still live in the house they built in 1958, where I grew up with my two brothers and my sister. Both my grandmothers lost their mothers at young ages and ended up in difficult situations, so perhaps hearing those stories of loss did influence me obliquely.

I think, however, that there are deeper and more interesting underlying reasons. Both of my novels deal with situations in which social structures and mores affect the individual lives of my characters. In The Memory Keeper's Daughter, the assumptions and expectations about Down's syndrome that were prevalent in the 1960s allowed David Henry to believe he was doing the right thing to give his daughter away. He acted from a position of power, but for Rose, in The Lake of Dreams, the situation was much different. Although Rose lacked rights we've come to take for granted, such as the right to vote, to own property, and to have an education, she understood her own integrity as a human being and stood up for what she believed to be right, carving out a life for herself against difficult odds and opening the path for those who would follow, even when that meant leaving her child in the care of others. What connects the two situations, in my view, is the pressure that dysfunctional aspects of society put on individuals, even on the bonds we tend to think of as being the strongest and most inviolate of all—that of parents with their children.

I'll add to this that variations on the situations in these two novels happen all the time, all around us. Several years ago I started an ESL program to meet the needs of the growing Hispanic community in my city. We worked with a literacy organization; the classes were held at a church. I taught in this program weekly for five years, and during that time I heard again and again stories that broke my heart: the couple who took turns sleeping in their car between shifts at McDonalds so they could send money home to their families, including the toddler they'd left behind; the woman who had not seen her two older children for seven years, not since they were eight and nine years old and she'd left them to try to work her way out of poverty and provide them with food and education. These were gentle and loving people who had been forced by circumstances to make choices no parent should ever have to face.

Q. Whose story did you envision first: Lucy's or Rose's?

Actually, I started with Evie's story. Before my story collection The Secrets of a Fire King was published, I finished a draft, some 400 pages long, of a novel that was a precursor to The Lake of Dreams. Some familiar elements were in that book—the comet tying an intergenerational novel together, a complex family history, and the thematic concerns with regard to the land—but the draft was a youthful effort, and it ended up in my desk drawer. I tried again, a few years later, using a different voice, but hit a wall about 200 pages in and put the book aside to write The Memory Keeper's Daughter.

By the time I returned to The Lake of Dreams I knew it was Lucy's story. I had her voice, which is always the crucial discovery. Still, as I wrote more deeply into the narrative, another voice, this one from the past, just kept persisting. I finally started writing it down, thinking I could simply understand the back story and how it had influenced Lucy and then put aside the pages I was writing. Gradually, however, the story of Rose Jarrett took on its own life, weaving its way into the contemporary narrative in ways I could not have imagined when I started.

Q. Where The Memory Keeper's Daughter is a very intimate family saga about a child with Downs syndrome, this novel is crafted against a much broader socio-political backdrop (e.g. the American suffrage movement, Native American rights, and wildlife preservation). What inspired this shift?

First, I disagree with this distinction. The Memory Keeper's Daughter does focus on individual lives, but it also takes place over several decades, and against the backdrop of the quite dramatic cultural shifts that happened in the United States during the 1960s and 1970s. The possibilities for women changed, and parents launched an extraordinary grassroots movement to gain greater acceptance for children who had disabilities, to name just two. Likewise, The Lake of Dreams is also the story of particular characters, living their lives in particular times. As a writer, I'm interested in the way that historical events and social mores influence the way we understand the world and the decisions we make. I don't think it's possible to isolate individuals, or characters, from the eras and cultures they inhabit.

Q. After you earned your graduate degrees—an MFA from the Iowa Writers Workshop and an MA in linguistics—you lived and taught in Asia for several years. Like Lucy, you spent time in several countries. Are any of her experiences based on your own?

Not really, not in more than a general sense. My first summer in Japan was full of earthquakes, which was unsettling, and that made its way into the novel because it struck me as a perfect way to presage the unsettling to come in Lucy's personal and emotional life. I traveled a bit in Indonesia, but didn't spend time there, though I did draw generally on my years in Malaysia to imagine what Lucy's life would have been like there. Cambodia was a moving and important experience for me, one I've never been able to write about directly, so certainly having Lucy go there was a way of remembering my own connection to the country and to its incredibly strong people. One thing I did give Lucy from my own experience is the shift in her perspective. In total, I spent nearly six years living away from my own country and culture, and that has necessarily changed and shaped the way I see the world.

Q. You include incredible descriptions of both the art of glassmaking and technical details about hydrology—not to mention information about the suffrage movement. What were some of the more interesting things you discovered in the course of your research?

It was very interesting to read about the "Silver Ghost," which was the name given to the first Rolls Royce, and to imagine a world before the automobile. I spent time at glass studios and even tried my hand at blowing glass, as well as reading about glassmaking and the art of stained glass windows. Since I grew up very near Seneca Falls, N.Y., the research I did on the women's suffrage movement was very real and alive to me—the authors were talking about events that happened on streets I had walked, in places that I knew. Also, I was intrigued to realize, at a point far into the narrative, that all the imagery of the book was working together in a harmonious but unplanned way. The motif of the circles was in this draft of the book from the beginning, and wheelwrights resonated with that image quite directly; that was a conscious choice. Yet much later, long after I'd written the scenes, I learned that early stained glass windows were modeled on the shapes of wheels—they were called 'wheel windows'—and that the word orbit comes from the Latin orbita, meaning a rut or a track, like that left by a wheel, traced in the sky. Also, of course there are the many relevant associations with roses, from circles to chalices. I didn't plan this, not at all; in order to have any power or authenticity, images have to arise from the work itself, they cannot be imposed. So I was fascinated as I began to realize how everything resonated, how deeply and intricately all the imagery was connected.

Probably the most interesting thing, however, and perhaps the most sobering, was to realize how many of the issues the early feminists faced are still under discussion today. Only within my lifetime has the church begun to ordain women, for instance, and many denominations still exclude women from positions of authority. I was writing and researching this novel during the 2008 election, which meant that I was reading about the events and debates of the early 1900s while arguments about women's reproductive health, access to information, and even, extremely, the 19th amendment, swirled around me in the present, too. It was a compelling reminder that the rights I take for granted haven't always been there.

Q. You write about Keegan's work and Frank Westrum's stained-glass windows with such passion. Have you always been interested in this medium, or is it more of a metaphorical vehicle?

Early on in the writing of this novel I had a sense that Keegan was a stained glass artist. I was drawn to the beauty of the process, the way glass moves between liquid and solid states, and the idea of shaping glass with breath. While I took notes and kept extensive journal entries about the experiences, it was a year or more before I began to write the scenes in the novel involving glass. I had to understand the characters first, and allow time for the experiences and information I'd collected to distill into the imagery and metaphors essential for this novel.

Q. Who are some of the writers that you most admire?

There are so many that it's hard to choose. Virginia Woolf is a favorite, and I always look forward to Alice Munro and William Trevor. Seamus Heaney, too, and Mary Oliver. I enjoyed Susan Cheever's biography of Louisa May Alcott, both for Cheever's writing as for the chance to reacquaint myself with Alcott, whose books I loved as a girl. Recently, I've also started to read the collected works of Thomas Hardy, and have discovered several contemporary theologians, including Teilhard de Chardin, Dorothy Soelle, and Elizabeth Johnson; their work is brilliant and thought-provoking.

Q. What are you working on now?

I've had the first glimpses of the next novel, and I understand something about its characters and concerns, but it's far too soon to say more; it's still a secret, and will be for years.

Book Club Recommendations

Member Reviews

Overall rating:
  "Lake of Dreams"by actmccarthy (see profile) 12/05/13

We found the main character self-absorbed and uninteresting. Interest didn't pick up till half way through the book when letters from an ancestor were read.

  "Lake of Dreams"by msharry (see profile) 06/03/11

Feeling unsettled and discontented with her life and her romance, Lucy returns home at loose ends. The storyline seemed predictable and plodding at this stage, but Lucy soon gets caught up in the search... (read more)

  "Too many story lines!"by Scoop (see profile) 04/17/11

As a lover of "Memory Keeper's Daughter", I found this book less captivating. There were several story lines that were not necessary to the main story and only added more characters and more descriptions... (read more)

  "The Lake of Dreams"by swells (see profile) 02/01/11

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