Introduction

“[A] gritty, bracing debut novel...a satirical look at mass incarceration and the liberating power of the written word.”—Esquire

“Dazzling...Supremely mischievous and sublimely written, this is a stellar work.”—Publishers Weekly (starred review)

An electric, uproarious, and biting debut novel set during a prison riot, told in a high-comic pitch in the tradition of Paul Beatty’s The Sellout and Aravind Adiga’s The White Tiger.

An unnamed Sri Lankan inmate has barricaded himself inside a prison computer lab in Dutchess County, New York. A riot rages outside, incited by a poem published in The Holding Pen, the house literary journal. This, our narrator’s final Editor’s Letter, is his confession. An official accounting of events, as they happened.

As he awaits imminent and violent interruption, he takes us on a roller coaster ride of plot and language, determined to share his life story, and maybe answer a few questions. How did he end up here? Should he have remained a quiet Park Avenue doorman? Or continued his rise in the black markets of postwar Sri Lanka? What will become of The Holding Pen, a “masterpiece of post-penal literature” favored by Brooklynites everywhere? And why does everyone think the riots are his fault? Can’t they see he’s really a good guy, doing it for the right reasons?

Smart, wry, and laugh-out-loud funny, Ryan Chapman’s Riots I Have Known is an utter gem—an approachable send-up that packs a punch. Alexandra Kleeman, author of You Too Can Have a Body Like Mine, says, “Ryan Chapman has written a rocket-powered ode to literary creation and mass incarceration. Weaving satire and seriousness into a singularly rambunctious monologue, Riots I Have Known is a breath of fresh air.”

Editorial Review

An Amazon Best Book of May 2019: Riots I Have Known is a spitfire of a novel: funny, abrasive, and intelligent. As a prison riot thunders in the background, an inmate narrates the action from the George and Edith Rosenberg Media Center for Journal Excellence in the Penal Arts. For several years, the inmate has reported the facts of prison life in the literary journal, The Holding Pen (a stunt led by the PR- savvy wWarden), which has garnered a national following. In the journal, he regales readers with the disquieting and daily events inside a prison, while meandering through bourgeoisie meditations on art, culture, religion—you name it, and there is no way you won’t laugh out loud. Like Proust and Knausgaard, he pledges his unflinching pledge to unflinchingly narrate his own thoughtsexperiences, exposing his is virtuous, ruthless, comical and addictive thoughts, and which turn even more poignant as the mob closes is in on the Mmedia cCenter. Ryan Chapman is a gifted wordsmith, and his debut, which whips by, is intensely satisfying. --Al Woodworth

Excerpt

No Excerpt Currently Available

Discussion Questions

No discussion questions at this time.

Weblinks

There are no web links at this time.

Book Club Recommendations

Recommended to book clubs by 0 of 0 members.

Member Reviews

There are no user reviews at this time.
Rate this book