BKMT READING GUIDES

Riding with the Queen
by Jennie Shortridge

Published: 2003
Paperback : 331 pages
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From an exciting new voice comes a tale of a down-and-out rock-and-roll singer forced to return to the home she fled half a lifetime ago. But taking the long way home has left 34-year-old Tallie Beck looking to retrace some wrong turns--and figure out where she really wants to ...
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Introduction

From an exciting new voice comes a tale of a down-and-out rock-and-roll singer forced to return to the home she fled half a lifetime ago. But taking the long way home has left 34-year-old Tallie Beck looking to retrace some wrong turns--and figure out where she really wants to go.

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Excerpt

"I'm going down this lonesome road,
and where I'm bound it ain't my home."
--Lonely Road, Big Gal Sal

Chapter 1

The sun rises red-hot in the rearview mirror like an Atomic Fireball, one of those jawbreakers that always sounds like a good idea until you're halfway through it and sweating from the cinnamon burn and can't find a good place to spit it out. My eyes water at the mirror's fiery reflection, but after driving all night, even a long blink could mean disaster. And, considering my destination, it feels a hell of a lot better to look back than ahead. I keep glancing up into that light, tracking the sun until it rises out of view and throws hot unforgiving light across endless rows of corn stretching in every direction. ... view entire excerpt...

Discussion Questions

Questions from Publisher's Reading Guide:

1. In the book, almost every character has a coping mechanism—Lee paints, Perry seeks solace by helping people on the streets and Tallie channels Big Gal Sal when she’s anxious. How does Jane deal with the pressures in her life? How is this different from how the others cope? How is it the same?


2. How does Lee’s artwork change throughout the story and what do you think this means? How do these changes relate to her tumultuous relationship with Tallie?


3. On page 284 Tallie, Lee, Emma and Jane are having dinner together. Tallie describes the group as “…the core of our family…intricately connected by blood and time and something else more complicated but much less tangible.” How is this statement general to all families? How is it specific to this one?


3. What prompts Jane to begin to forgive Tallie for running away? Do you think Jane owes Tallie an apology as well?


4. Many of Tallie’s problems—including her alcoholism and emotionally destructive one-night stands—stem from her inability to control the circumstances of her life. What do you think is the turning point in the novel when Tallie is finally able to take charge of her own behavior? When does she finally start accepting responsibility for her actions? Why?


5. Roots are a significant symbol in this novel. In chapter four, Tallie ruins her hair by trying to touch up her roots. Later, Jedd manipulates her with his promise that she will sing in his roots-rock revival band. What is the author trying to tell us about Tallie’s attempts to embrace her roots? What do you think Tallie learns from her attempts to reconnect with her family? Is Tallie’s return a failure or a success? Why?

6. What is Perry’s definition of courage?

7. In what ways does Tallie mature by the end of the novel? In what ways does she still need to grow?

Notes From the Author to the Bookclub

1. My late mother, who suffered from bipolar disorder most of her life, found great comfort in the Catholic religion. I sprinkled the story with religious icons, words, and imagery as an ode to her. Did you notice these little tributes, and if so, how did they influence your ideas about the story?

2. At readings, appearances, and in book group meetings that I attend, there's almost always a reader or two who tell me they had a hard time staying with Tallie at first--one reader even got so mad at her she put the book in the freezer until she, the reader, could cool off! How did you react to Tallie at first? Could you sympathize with her situation in life, or did she just plain rub you the wrong way? When, if ever, did you decide you wanted to take the journey with her?

3. In my writing, I like to leave certain decisions up to the reader, for example, what exactly is Big Gal Sal? An angel? A ghost? A figment of Tallie's imagination? Why do you think so? I have my own opinion, of course, but I think it's much more interesting to hear what readers have to say!

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