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Fly Girls: How Five Daring Women Defied All Odds and Made Aviation History
by Keith O'Brien

Published: 2019-03-05
Paperback : 384 pages
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A New York Times Bestseller * An Amazon Best Book of the Year * A New York Times Book Review Editors’ Choice * A Time Best Book for Summer
 
Between the world wars, no sport was more popular, or more dangerous, than airplane racing. While male pilots were lauded as heroes, the few ...
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Introduction

A New York Times Bestseller * An Amazon Best Book of the Year * A New York Times Book Review Editors’ Choice * A Time Best Book for Summer
 
Between the world wars, no sport was more popular, or more dangerous, than airplane racing. While male pilots were lauded as heroes, the few women who dared to fly were more often ridiculed—until a cadre of women pilots banded together to break through the entrenched prejudice.

Fly Girls weaves together the stories of five remarkable women: Florence Klingensmith, a high school dropout from Fargo, North Dakota; Ruth Elder, an Alabama divorcée; Amelia Earhart, the most famous, but not necessarily the most skilled; Ruth Nichols, who chafed at her blue blood family’s expectations; and Louise Thaden, the young mother of two who got her start selling coal in Wichita. Together, they fought for the chance to fly and race airplanes—and in 1936, one of them would triumph, beating the men in the toughest air race of them all.

Editorial Review

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Excerpt

The Miracle of Witchita

The coal peddlers west of town, on the banks of the Arkansas River, took note of the new saleswoman from the moment she appeared outside the plate-glass window. It was hard not to notice Louise McPhetridge.

She was young, tall, and slender, with distinct features that made her memorable if not beautiful. She had a tangle of brown hair, high cheekbones, deep blue eyes, thin lips programmed to smirk, and surprising height for a woman. At five foot eight and a quarter inches??—??

she took pride in that quarter inch??—??McPhetridge was usually the tallest woman in the room and sometimes taller than the cowboys, drifters, cattlemen, and businessmen she passed on the sidewalks of Wichita, Kansas.

But it wasn’t just how she looked that made her remarkable to the men selling coal near the river; it was the way she talked. McPhetridge was educated. She’d had a couple years of college and spoke with perfect grammar. Perhaps more notable, she had a warm Southern accent, a hint that she wasn’t from around Wichita. She was born in Arkansas, two hundred and fifty miles east, raised in tiny Bentonville, and different from most women in at least one other way: Louise was boyish. That’s how her mother put it. Her daughter, she told others, “was a follower of boyish pursuits”??—??and that wasn’t meant as a compliment. It was, for the McPhetridges, cruel irony.

Louise’s parents, Roy and Edna, had wanted a boy from the beginning. They prayed on it, making clear their desires before the Lord, and they believed their faith would be rewarded. “Somehow,” her mother said, “we were sure our prayers would be answered.” The McPhetridges had even chosen a boy’s name for the baby. And then they got Louise.

Edna could doll her daughter up in white dresses as much as she wanted; Louise would inevitably find a way to slip into pants or overalls and scramble outside to get dirty. She rounded up stray dogs. She tinkered with the engine of her father’s car, and sometimes she joined him on his trips selling Mentholatum products across the plains and rural South, work that had finally landed the McPhetridges here in Wichita in the summer of 1925 and placed Louise outside the coal company near the river.

It was a hard time to be a woman looking for work, with men doing almost all the hiring and setting all the standards. Even for menial jobs, like selling toiletries or cleaning houses, employers in Wichita advertised that they wanted “attractive girls” with pleasing personalities and good complexions. “Write, stating age, height, weight and where last employed.” The man who owned the coal company had different standards, however. Jack Turner had come from England around the turn of the century with nothing but a change of clothes and seven dollars in his pocket. He quickly lost the money. But Turner, bookish and bespectacled in round glasses, made it back over time by investing in horses and real estate and the city he came to love. “Wichita,” he said, “is destined to become a metropolis of the plains.”

By 1925, people went to him for just about everything: hay, alfalfa, bricks, stove wood, and advice. While others were still debating the worth of female employees, Turner argued as early as 1922 that workers should be paid what they were worth, no matter their gender. He predicted a future where men and women would be paid equally, based on skill??—??where they would demand such a thing, in fact. And with his worldly experience, Turner weighed in on everything from war to politics. But he was known, most of all, for coal. “Everything in Coal,” his advertisements declared. In winter, when the stiff prairie winds howled across the barren landscape, the people of Wichita came to Turner for coal. In summer, they did too. It was never too early to begin stockpiling that vital fuel, he argued. “Coal Is Scarce,” Turner told customers in his ads. “Fill Your Coal Bin Now.”

He hired Louise McPhetridge not long after she arrived in town, and she was thankful for the work. For a while, McPhetridge, just nineteen, was able to stay focused on her job, selling the coal, selling fuel. But by the following summer, her mind was wandering, following Turner out the door, down the street, and into a brick building nearby, just half a block away. The sign outside was impossible to miss. travel air airplane mfg. co., it said. aerial transportation to all points. It was a humble place, squat and small, but the name, Travel Air, was almost magical, and the executive toiling away on the factory floor inside was the most unusual sort.

He was a pilot.

Walter Beech was just thirty-five that summer, but already he was losing his hair. His long, oval face was weathered from too much time spent in an open cockpit, baking in the prairie sun, and his years of hard living in a boarding house on South Water Street were beginning to show. He smoked. He drank. He flew. On weekends, he attended fights and wrestling matches at the Forum downtown. In the smoky crowd, shoulder to shoulder with mechanics and leather workers, there was the aviator Walter Beech, a long way from his native Tennessee but in Kansas for good. “I want to stay in Wichita,” he told people, “if Wichita wants me to stay.”

The reason was strictly professional. In town, there were two airplane factories, and Beech was the exact kind of employee they were looking to hire. He had learned all about engines while flying for the US Army in Texas. If Beech pronounced a plane safe, anyone would fly it. Better still, he’d fly it himself, working with zeal; “untiring zeal,” one colleague said. And thanks to these skills??—??a unique combination of flying experience, stunting talent, and personal drive??—??Beech had managed to move up to vice president and general manager at Travel Air. He worked not only for Turner but for a man named Clyde Cessna, and Beech’s job was mostly just to fly. He was supposed to sell Travel Air ships by winning races, especially the 1926 Ford Reliability Tour, a twenty-six-hundred-mile contest featuring twenty-five pilots flying to fourteen cities across the Midwest, with all of Wichita watching. “Now??—??right now??—??is Wichita’s chance,” one newspaper declared on the eve of the race. “Neglected, it will not come again??—??forever.”

Beech, flying with a young navigator named Brice “Goldy” Goldsborough, felt a similar urgency. The company had invested $12,000 in the Travel Air plane he was flying, a massive amount, equivalent to roughly $160,000 today. If he failed in the reliability race??—??if he lost or, worse, crashed??—??he would have to answer to Cessna and Turner, and he knew there were plenty of ways to fail. “A loose nut,” he said, “or a similar seemingly inconsequential thing has lost many a race,” and so he awoke early the day the contest began and went to the airfield in Detroit. Observers would have seen a quiet shadow near the starting line checking every bolt, instrument, and, of course, the engine: a $5,700 contraption, nearly half the price of the expensive plane.

“Don’t save this motor,” the engine man advised Beech before he took off on the first leg of th... view abbreviated excerpt only...

Discussion Questions

1. Fly Girls opens with the line: “In 1926, there were countless ways to die in an air- plane” (xi) and goes on to discuss the many dangers associated with aviation at that time. Why do you think that the author chose this as the opening subject of the book? Why was aviation so dangerous at that time? What did the new aviation industry create or invent in order to prove that flying was safe? Were they successful?
2. Who are the fly girls and why are they remarkable? Where do each of the women come from and what were their lives like before they began flying? What reasons do these “fly girls” give for wanting to participate in aviation and competitive aviation sporting events?
3. Consider historical and social context. When and where do the events in the book take place? What major events were taking place during this time and what effect did they have on the general population? What does the author mean when he says that “gender roles were shifting” and “cultural norms were evolving”? What was expected of women at this time? What rights did women have and what rights were they refused at this time?

4. What role did immigrants play in the development of aviation and aviation sports? Who were some of the major players in this industry and its associated sports? What do readers learn about immigration and immigration policy at this time via the description of Earhart’s work as a social worker? How do the issues and policies revealed compare to today’s immigration issues and policies?
5. What obstacles do the women face in their quest to take to the skies and compete in aviation sporting events? From where or from whom do they draw support? Who denies them support? What reasons do many of the men (and some women) give for their staunch belief that women do not belong in aviation sports? How do the female pilots overcome this? Even after the women are allowed to fly with the men, what challenges, obstacles, and inequities do they still face?
6. In Chapter 10, what decision does the author say the women made together at the end of all of the races at that time? Who are “The Ninety-Nines” and who was their founder? What mission did they share? Why does the author say that the members “hoped they wouldn’t be seen as too powerful” (116)?
7. What does Ruth Nichols believe is the key to making a successful flight over the Atlantic? What is “the usual law of Fate” and how does this contribute to her confidence that “[t]here is no possibility of failure” (132)? Do you agree with her?
8. Which of the female flyers was described as [i]spetakkel? What does this mean? What was the defining moment in this flyer’s life? When she dies in a crash during competition, what central question arises during inquests and reporting? Why do some feel that she may have been unfit to fly? What do you think of this assertion? What else was remark- able about the treatment surrounding her death?
9. In the chapter entitled “All Things Being Equal,” the female fliers send out a survey to plane manufacturers. What questions do they ask in the survey and what are the results? What examples of hypocrisy against the female flyers do the results reveal? What other examples of hypocrisy are revealed throughout the book and how do the women respond to this? Are they ultimately able to overcome this? If so, how?
10. How would you characterize the women’s relationships with one another? How do they handle their relationship as competitors despite their mutual goal of advancing women’s rights within this sport and beyond? According to the author, how are the women connected?
11. In her speech at the Waldorf Astoria hotel, what two things does Amelia Earhart say stand in the way of women’s progress? Where does she say a women’s “place” is—or should be? What does Earhart say that one woman’s failure should be for others?

12. Who wins the 1936 Bendix trophy and what impact does this have on the inclusion and equality of women in aviation? What larger implications did this victory have in terms of the greater quest for women’s equality and rights beyond aviation?
13. How did the public respond to the news of Earhart’s disappearance? What myths begin to circulate about her fate and how were these linked to historical and cultural events taking place at that time? What does the author say is the overlooked key reason for one of the most popular and enduring myths about her disappearance?
14. What becomes of each of the five female pilots featured in the book? For those who survive, what are their lives like after they retire from flying or racing? Which of the women achieve fame? Is their fame lasting? Were you surprised by the conclusions of any of the women’s stories? Why or why not?

Notes From the Author to the Bookclub

No notes at this time.

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