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Dept. of Speculation
by Jenny Offill

Published: 2014-01-28
Hardcover : 192 pages
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Dept. of Speculation is a portrait of a marriage. It is also a beguiling rumination on the mysteries of intimacy, trust, faith, knowledge, and the condition of universal shipwreck that unites us all.

Jenny Offill’s heroine, referred to in these pages as simply “the wife,” once ...
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Introduction

Dept. of Speculation is a portrait of a marriage. It is also a beguiling rumination on the mysteries of intimacy, trust, faith, knowledge, and the condition of universal shipwreck that unites us all.

Jenny Offill’s heroine, referred to in these pages as simply “the wife,” once exchanged love letters with her husband postmarked Dept. of Speculation, their code name for all the uncertainty that inheres in life and in the strangely fluid confines of a long relationship. As they confront an array of common catastrophes—a colicky baby, a faltering marriage, stalled ambitions—the wife analyzes her predicament, invoking everything from Keats and Kafka to the thought experiments of the Stoics to the lessons of doomed Russian cosmonauts. She muses on the consuming, capacious experience of maternal love, and the near total destruction of the self that ensues from it as she confronts the friction between domestic life and the seductions and demands of art.

With cool precision, in language that shimmers with rage and wit and fierce longing, Jenny Offill has crafted an exquisitely suspenseful love story that has the velocity of a train hurtling through the night at top speed. Exceptionally lean and compact, Dept. of Speculation is a novel to be devoured in a single sitting, though its bracing emotional insights and piercing meditations on despair and love will linger long after the last page.

Editorial Review

No editorial review at this time.

Excerpt

There is a man who travels around the world trying to find places where you can stand still and hear no human sound. It is impossible to feel calm in cities, he believes, because we so rarely hear birdsong there. Our ears evolved to be our warning systems. We are on high alert in places where no birds sing. To live in a city is to be forever flinching. ... view entire excerpt...

Discussion Questions

1. This novel is written in a fragmentary, elliptical style. Why do you think it is structured this way?

2. How would the story change if it were told in a more straightforward fashion?

3. The epigraph for the novel is a quote from Socrates: “Speculators on the universe are . . . no better than madmen.” Where else in the book does the narrator talk about madness?

4. Is this a book about loneliness?

5. Have you ever known an art monster? Have you ever been one?

6. On pages 43 and 44, the narrator includes a “Personality Questionnaire.” What phobias or fears would you include if you wrote your own?

7. The narrator says, “I would give it up for her . . . but only if she would consent to lie quietly with me until she was eighteen.” What do you make of this passage?

8. What does it mean to throw off ambition “like an expensive coat that no longer fits?”

9. When the narrator’s sister tells her, “You have a kid-glove marriage” (page 81), does the narrator agree?

10. Why does the POV change midway through the book? Why does she become “the wife” and he, “the husband”?

11. What reaction did you have to the soscaredsoscaredsoscaredsoscaredsoscared chapter?

12. If someone asked you, “When were you the happiest?” what would you say? Would you say the same thing no matter who asked you?

13. The narrator says at one point, “The truth about getting older is that there are fewer and fewer things to make fun of until finally there is nothing you are sure you will never be.” Does this seem true to you?

14. Why does the narrator want to meet the girl? Why is this section framed as if it is a student paper she is grading?

15. The wife says “(So ask the birds at least. Ask the fucking birds.)” Who is she speaking to? Why is this placed in parentheses as if it is an offhand comment?

16. Chapter 46—the last chapter in the novel—switches the point of view of first person plural, “We.” Why do you think this change is made?

17. Is this a happy ending? Do you want it to be?

18. Discuss what matters most to you.

Notes From the Author to the Bookclub

“Slender, quietly smashing . . . The story shifts and skitters, spare but intricate as filigree, short bursts of observation and memory—comic, startling, searing—floating in white space . . . Offill has tapped a vein directly into the experience of this marriage, this little family, this subsuming of self, and we mainline it right along with her . . . A book so radiant, so sparkling with sunlight and sorrow, that it almost makes a person gasp.”

—Boston Globe

“Breathtaking . . . Reminiscent of Renata Adler’s Speedboat but with a less bitter edge . . . Dept. of Speculation charts the course of a marriage through curious, often shimmering fragments of prose . . . Moves quickly, but it is also joyously demanding because you will want to keep trying to understand the why of each fragment and how it fits with the others . . . Offill is a smart writer with a canny sense of pacing . . . She deftly moves the novel forward with elegant shifts of point of view.”

—The New York Times Book Review

“Riveting . . . Unsentimental . . . Combines eclectic minutia with a laser-like narrative of a family on the edge of dissolution . . . Paragraphs shatter, surreal details rise up and into the narrative . . . A jewel of a book, a novel as funny, honest, and beguiling as any I have read.”

—Los Angeles Times

“Offill’s unnamed heroine . . . has a lot in common with the narrators of [Renata Adler’s] Speedboat and [Elizabeth Hardwick’s] Sleepless Nights: she is observant and literary minded, given to seeing the odd connections (or lack of connections) among the things that make up her day-to-day life and the more subterranean thoughts that jitter around in her head. She also has a lot in common with Joan Didion’s heroines . . . A genuinely moving story of love lost and perhaps, provisionally, recovered.”

—Michiko Kakutani, The New York Times

“Absorbing and highly readable . . . Offill has successfully met the challenge she seems to have given herself: write only what needs to be written, and nothing more. No excess, no flab. And do it in a series of bulletins, fortune-cookie commentary, mordant observations, lyrical phrasing. And through these often disparate and disconnected means, tell the story of the fragile nature of anyone’s domestic life . . . Intriguing, beautifully written, sly, and often profound.”

—Meg Wolitzer, NPR

“Audacious . . . Hilarious . . . Dept. of Speculation reveals a raw marital reality that continues to be expunged from the pervasive narrative of marriage . . . Offill moves quickly and poetically over deeply introspective questions about long-term partnerships, parenthood, and aging . . . From deep within the interiors of a fictional marriage, Offill has crafted an account of matrimony and motherhood that breaks free of the all-too-limiting traditional stories of wives and mothers. There is a complexity to the central partnership; Offill folds cynicism into genuine moments of love. It may be difficult to truly know what happens between two people, but Offill gets alarmingly close.”

—The Atlantic

“Dept. of Speculation is a startling feat of storytelling—an intense and witty meditation on motherhood, infidelity, and identity, each line a dazzling, perfectly chiseled arrowhead aimed at your heart.”

—Vanity Fair

“Hilarious, poignant . . . So beautifully written that it begs multiple reads . . . Soul-bearing fiction at its best . . . Dept. of Speculation doesn’t just resign itself to the disappointment of failed dreams that crop up in middle age. Instead, endurance to the end of a crisis generates wisdom, hope, and, perhaps, even art.”

—Pittsburgh Post-Gazette

“Jenny Offill’s mini marvel of a novel, about an urban marriage in crisis, unfolds in tart, tiny chapters suffused with pithy philosophical musings, scientific tidbits, and poetic sayings that collectively guide a brainy, beleaguered couple through the tricky emotional terrain of their once wondrous, now wobbly union.”

—Elle

“Piercingly honest . . . A series of wry vignettes that deepen movingly.”

—Vogue

“Marvelously huge in insight and honesty. Rich with humor, and deep with despair, Dept. of Speculation paints a masterful portrait of the nuts and the bolts and the warts and the silky splendor that defines commitment—the commitment to live in close quarters with other humans . . . A quick, beautiful read that will draw out joy just as quickly as sadness, and may even cause one to pause and then wonder, and then to finally embrace both the misery and the magic of marriage.”

—New York Journal of Books

“Very beautiful and funny and wise . . . Manages to hop elegantly from Kafka to Eliot, from Frederick Cook to Russian astronauts.”

—The Barnes & Noble Review

“Clever, subtle, and rife with strokes of beauty, this book is both readable in a single sitting and far ranging in the emotions it raises . . . Offill has equal parts cleverness and erudition, but it’s her language and eye for detail that make this a must-read.”

—Publishers Weekly (starred review)

"A magnetic novel about a marriage of giddy bliss and stratospheric anxiety, bedrock alliance and wrenching tectonic shifts . . . So precisely articulate that [Offill's] perfect, simple sentences vibrate like violin strings. And she is mordantly funny, a wry taxonomist of emotions and relationships . . . She has sliced life thin enough for a microscope and magnified it until it fills the mind's eye and the heart."

—Booklist

“Exquisitely honed and vibrant . . . The reader easily identifies with [the narrator’s] struggles and frustrations . . . An enlightened choice for a reading group.”

—Library Journal

“If Rainer Maria Rilke had written a novel, it might look something like this . . . Lyrical . . . Philosophically rich . . . Moments of literary experimentation worthy of Virginia Woolf.”

—Kirkus

“Jenny Offill’s Dept. of Speculation resembles no book I’ve read before. If I tell you that it’s funny, and moving, and true; that it’s as compact and mysterious as a neutron; that it tells a profound story of love and parenthood while invoking (among others) Keats, Kafka, Einstein, Russian cosmonauts, and advice for the housewife of 1896, will you please simply believe me, and read it?”

—Michael Cunningham

“Dept. of Speculation is gorgeous, funny, a profound and profoundly moving work of art. Jenny Offill is a master of form and feeling, and she gets life on the page in new, startling ways.”

—Sam Lipsyte

“A heartbreaking and exceptional book by a writer who doesn't settle for less—I’ve been longing for a new novel from Jenny Offill since her stunning Last Things, and it was worth every bit of the wait. Sad, funny, philosophical, at once deeply poetic and deeply engaging, this is a brilliant, soulful elegy to the hardships and joys of married life.”

—Lydia Millet

“Dept. of Speculation is a deep, funny, and beautifully written novel. It is a moving and intelligent story of a specific marriage, but it is also very much about how it feels to be alive right now. Jenny Offill perfectly captures the absurdities and ironies of our moment.”

—Dana Spiotta

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