Introduction

Originally published in 1942 and now rediscovered to international acclaim, this taut and exquisitely structured novel by the Hungarian master Sandor Marai conjures the melancholy glamour of a decaying empire and the disillusioned wisdom of its last heirs.

In a secluded woodland castle an old General prepares to receive a rare visitor, a man who was once his closest friend but who he has not seen in forty-one years. Over the ensuing hours host and guest will fight a duel of words and silences, accusations and evasions. They will exhume the memory of their friendship and that of the General’s beautiful, long-dead wife. And they will return to the time the three of them last sat together following a hunt in the nearby forest--a hunt in which no game was taken but during which something was lost forever. Embers is a classic of modern European literature, a work whose poignant evocation of the past also seems like a prophetic glimpse into the moral abyss of the present

Editorial Review

In Sándor Márai's Embers, two old men, once the best of friends, meet after a 41-year break in their relationship. They dine together, taking the same places at the table that they had assumed on the last meal they shared, then sit beside each other in front of a dying fire, one of them nearly silent, the other one, his host, slowly and deliberately tracing the course of their dead friendship. This sensitive, long-considered elaboration of one man's lifelong grievance is as gripping as any adventure story and explains why Márai's forgotten 1942 masterpiece is being compared with the work of Thomas Mann. In some ways, Márai's work is more modern than Mann's. His brevity, simplicity, and succinct, unadorned lyricism may call to mind Latin American novelists like Gabriel García Márquez, or even Italo Calvino. It is the tone of magical realism, although Márai's work is only magical in the sense that he completely engages his reader, spinning a web of words as his wounded central character describes his betrayal and abandonment at the hands of his closest friend. Even the setting, an old castle, evokes dark fairy tales.

The story of the rediscovery of Embers is as fascinating as the novel itself. A celebrated Hungarian novelist of the 1930s, Márai survived the war but was persecuted by the Communists after they came to power. His books were suppressed, even destroyed, and he was forced to flee his country in 1948. He died in San Diego in 1989, one year before the neglected Embers was finally reprinted in his native land. This reprint was discovered by the Italian writer and publisher Roberto Calasso, and the subsequent editions have become international bestsellers. All of Márai's novels are now slated for American publication. --Regina Marler

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