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Pearl of China: A Novel
by Anchee Min

Published: 2011-04-04
Paperback : 304 pages
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In the small southern China town of Chin-kiang, in the last days of the nineteenth century, two young girls bump heads and become thick as thieves. Willow is the only child of a destitute family. Pearl is the headstrong daughter of Christian missionaries-and will grow up to become Pearl ...

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Introduction

In the small southern China town of Chin-kiang, in the last days of the nineteenth century, two young girls bump heads and become thick as thieves. Willow is the only child of a destitute family. Pearl is the headstrong daughter of Christian missionaries-and will grow up to become Pearl S. Buck, Nobel Prize-winning writer and activist. This unlikely pair becomes lifelong friends, confiding their beliefs and dreams, experiencing love and motherhood, and eventually facing civil war and exile. Pearl of China brings new color to the remarkable life of Pearl S. Buck, illuminated by the sweep of history and an intimate, unforgettable friendship.

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Excerpt

Chapter 1

Before I was Willow, I was Weed. My grandmother, NaiNai, insisted that naming me Weed was better. She believed that the gods would have a hard time making my life go lower if I was already at the bottom. Papa disagreed. “Men want to marry flowers, not weeds.” They argued and finally settled for Willow, which was considered “gentle enough to weep and tough enough to be made into farming tools.” I always wondered what my mother would have thought if she had lived.

Papa lied to me about my mother’s death. Both he and NaiNai told me that Mother died giving birth. But I had already learned otherwise from neighbors’ gossip. Papa had “rented” his wife to the town’s “Baresticks” in order to pay o6 his debts. One of the bachelors got Mother pregnant. I was four years old when it happened. To rid her of the “bastard seed,” Papa bought magic root powder from an herbalist. Papa mixed the powder with tea and Mother drank it. Mother died along with the seed. It broke Papa’s heart, because he had intended to kill the fetus, not his wife. He had no money to buy another wife. Papa was angry at the herbalist, but there was nothing he could do—he had been warned about the poison.

NaiNai feared that she would be punished by the gods for Mother’s death. She believed that in her next life she would be a diseased bird and her son a limbless dog. NaiNai burned incense and begged the gods to reduce her sentence. When she ran out of money for incense, she stole. She took me to markets, temples, and graveyards. We would not act until darkness fell. NaiNai moved like an animal on all fours. She was in and out of bamboo groves and brick hallways, behind the hills and around ponds. Under the bright moonlight, NaiNai’s long neck stretched. Her head seemed to become smaller. Her cheekbones sharpened. Her slanting eyes glowed as she scanned the temples. NaiNai appeared, disappeared, and reappeared like a ghost. But one night she stopped. In fact, she collapsed. I was aware that she had been ill. Tufts of hair had been falling from her head. There was a rotten smell to her breath. “Go and look for your father,” she ordered. “Tell him that my end is near.”

Papa was a handsome man in his thirties. He had what a fortuneteller would describe as “the look of an ancient king” or “the matching energy of sky and earth,” meaning he had a square forehead and a broad chin. He had a pair of sheep eyes, a garlic-shaped nose that sat on his face like a gentle hill, and a mouth that was always ready to smile. His hair was thick and silky black. Every morning, he combed and braided it with water to make his queue smooth and shining. He walked with his back straight and head up. Speaking Mandarin with an Imperial accent, Papa wore his voice like a costume. But when Papa lost his temper, his voice would slip. People were shocked when Mr. Yee suddenly took up a strange voice. Ignoring NaiNai’s opinion that his ambitions would never be realized, Papa dreamed that one day he would work for the governor as an adviser. Papa attended teahouses where he showed o6 his talent in classic Chinese poems and verse. “I must keep my mind sharp and literary skills tuned,” he often said to

me. One would never guess from the way he presented himself that Papa was a seasonal coolie.

We lived in Chin-kiang, a small town far away from the capital, Peking, on the south side of the Yangtze River in Jiangsu province. Originally, our family was from Anhui province, a harsh region where survival depended on an endless round of crushing physical labor. For generations my family worked the region’s thin and unfertile soil and struggled with famine, ] ood, locusts, bandits, and debt seekers. NaiNai bragged that it was she who brought “luck” to the Yee family. She was purchased by my grandfather when he was forty years old. No one was allowed to mention that the purchase took place in a local sing-song house. When NaiNai was in her prime, she had a slender figure, a swanlike neck, and a pair of fox eyes with both ends tilted up. She painted her face every day and modeled her hairstyle after the Imperial empress. It was said that men’s blood would boil when NaiNai smiled.

By the time the family crossed the Yangtze River and migrated to the south, NaiNai had given the Yee family three sons. Papa was the eldest and the only one sent to school. Grandfather expected a return from his investment. Papa was expected to become an accountant so that the family could fight the government’s tax collectors. But things didn’t turn out right—Grandfather lost his son to the education.

Papa believed that he was too good to work as a coolie. At sixteen, he developed the expensive habits and fantasies of the rich. He read books on China’s political reform and chewed tea leaves to sweeten his peasant garlic breath. An ideal life, he told others, would be to “compose poems under blossoming plum trees,” far away from the “greedy material world.” Instead of returning home, Papa traveled the country, making his parents pay the bills. One day he received a message from his mother. The message informed him that his father and brothers were gravely ill and near death from an infectious disease that had swept through his hometown.

Papa rushed home, but the funeral was already over. Soon enough, his house was possessed by the debt seekers. NaiNai and Papa fell into poverty and became coolies. Although NaiNai vowed to regain their former prosperity, she was no longer healthy. By the time I was born, NaiNai suffered from an incurable intestinal disease.

Papa struggled to keep his “intellectual dignity.” He continued to write poems. He even composed a piece titled “The Sweet Scent of Books” for my mother’s funeral. Invoking a newfound spirituality, he insisted that his words would make better gifts than jewelry and diamonds to accompany his wife in her next life. Although Papa was no different from a beggar in terms of possessions, he made sure that he was lice-free. He kept his appearance by trimming his beard and never missed a chance to mention his “honorable past.”

Papa’s honorable past didn’t mean anything to me. For the first years of my young life, food was the only thing on my mind. I would wake hungry every morning and go to sleep hungry every night. Sometimes the clawing in my stomach would keep me from sleeping. Having to constantly scavenge for scraps, I existed in a delirium. Unexpected luck or a good harvest might bring food for a while, but the hunger would always return.

By the time I was seven, in 1897, things had only gotten worse. Although NaiNai’s health had continued to deteriorate, she was determined to do something to better our lot. Picking up her old profession, she began to receive men in the back of our bungalow. When I was given a fistful of roasted soybeans, I understood that it was time to disappear. I ran through the rice paddies and the cotton fields into the hills and hid in the bamboo groves. I cried because I couldn’t bear the thought of losing NaiNai the same way I had lost Mother.

Around this time, Papa and I worked as seasonal farmhands. He planted rice, wheat, and cotton and carried manure. My job was to plant soybeans along the edges of the fields. Each day, Papa and I woke before dawn to go to work. As a child, I was paid less than an adult, but I was glad to be earning money. I had to compete with other children, especially boys. I always proved that I was faster than the boys when it came to planting soybeans. I used a chopstick to poke a hole and threw a soybean into each one. I kicked dirt into the hole and sealed it with my big toe.

The coolie market where we got our jobs closed after the planting season was over. Papa and I couldn’t 4 nd any work. Papa spent his days walking the streets in search of a job. No one hired him, although he was received politely. I followed Papa throughout the town. When I found him wandering into the surrounding hills, I started doubting his seriousness about finding a job.

“What a glorious view!” Papa marveled as he beheld the countryside spreading below his feet. “Willow, come and admire the beauty of nature!”

I looked. The wide Yangtze ] owed freely and leaped aside into small canals and streams that fed the southern land.

“Beyond the valleys are hidden old temples that have stood for hundreds of years.” Papa’s voice rose again. “We live in the best place under the sun!”

I shook my head and told him that the demon in my stomach had eaten away my good sense.

Papa shook his head. “What did I teach you?”

I rolled back my eyes and recited, “Virtue will sustain and prevail.”

Virtue finally failed to sustain Papa. The demons in his stomach took over—he was caught stealing. Neighbors no longer wanted to be associated with him. The pity was that Papa never actually succeeded as a thief. He was too clumsy. More than once I witnessed him being beaten by the folks he stole from. He was thrown into the open sewage. He told his friends that he had “tripped over a tree stump.” Laughing, they asked him, “Was it the same stump you tripped over the last time?” One day Papa came home holding his arm, which had been knocked out of its socket. “I deserved it,” he said, cursing himself. “I shouldn’t have stolen from an infant’s mouth.”

By the time I was eight years old I was already a seasoned thief. I began by stealing incense for NaiNai. Although Papa criticized me, he knew that the family would starve if I stopped. Papa would sell the goods I stole.

I snatched small items at first, such as vegetables, fruit, birds, and puppies. Then I went for farming tools. After selling what I stole, Papa would rush to a local bar for rice wine. He took his sips slowly, closing his eyes as if concentrating on the taste. When his cheeks began to redden, he would recite his favorite poem. Although his friends had long since left him, he imagined his audience. view abbreviated excerpt only...

Discussion Questions

From the Publisher:

1. Pearl of China opens with a quotation from Pearl S. Buck: “I was never deceived by Chinese women, not even by the flower-like lovely girls. They are the strongest women in the world.” Discuss how two strong-willed characters in Pearl of China, Willow and Madame Mao, display the fortitude that Buck describes. How are these two women’s strengths similar and different? Who benefits—and who suffers—from these two women’s powers?

2. Describe the changing fortune of Willow’s family. When we first meet Willow, how is her family coping with poverty? How do their fortunes change over the course of the novel? How does Willow’s peasant background eventually become an advantage?

3. Although Pearl is American, “beneath her skin, she was Chinese.” (263) What Chinese qualities does Pearl exhibit in childhood and in adulthood? What American characteristics does she have? How is Pearl able to reconcile her Chinese heritage and her Western birth?

4. Compare the relationships Pearl and Willow have with their fathers. What troubles does each girl have with her father? How does the relationship between Pearl and Absalom change over the course of the novel, and what difficulties between them are never resolved?

5. Absalom’s church in Chin-kiang weathers many changes. How do Papa and Carpenter Chan attempt to reconcile Christian and Chinese traditions? What strategies seem most successful in attracting new members to the church? How does Absalom react to these changes? How does the church endure and evolve after Absalom’s death?

6. Willow loves two musical works: the Chinese opera The Butterfly Lovers and the Christian hymn “Amazing Grace.” When does she first encounter each work? What impact does each have upon her life?

7. Discuss the love triangle of Willow, Pearl, and Hsu Chih-mo. How does the poet come between the two women friends? How does Willow react to Pearl and Hsu Chi-Mo’s affair at first? Does she seem to fully recover from this heartbreak after Hsu Chih-mo’s death? Why or why not?

8. Both Papa and Willow are subjected to torture due to their friendships with Absalom and Pearl. Why does Papa betray Absalom when Bumpkin Emperor and the Nationalists torture him? How does Willow withstand Madame Mao’s imprisonment?

9. Marital problems plague many characters in Pearl of China. Consider the following troubled couples: Absalom and Carie, Pearl and Lossing, Willow and Dick. What do these marriages have in common, and how are they different? What better models of love and coupling exist within the novel?

10. Discuss the theme of forgiveness in Pearl of China. When are Papa, Dick, and Bumpkin Emperor forgiven, and why? What friendships and values are strengthened through forgiveness? Which characters have difficulty forgiving others’ transgressions, and why?

11. As she begins to write novels, Pearl tells Willow, “The character must believe in himself, and he must have the stamina to endure.” (113) Does Willow display the courage that Pearl describes? What hardships is Willow able to endure? At which moments is her belief in herself especially challenged?

12. Willow reminisces, “Without Pearl and Hsu Chih-mo in my life, I never would have been the person I am today . . . Although I published and impressed others as a writer, it was never my air and rice, as it was for Pearl and Hsu Chih-mo.” (155–56) How does writing serve as “air and rice” for Pearl and Hsu Chih-mo? How do Pearl and Willow maintain their connection to Hsu Chih-mo after his death?

13. Describe Dick’s relationship with Mao and Communism. How does Dick demonstrate his loyalty to Mao’s cause? When is Dick’s loyalty challenged, and how does he react? Why does Mao decline to protect Dick from Madame Mao? What regrets does Dick express on his deathbed, and how does Willow react to these confessions?

14. On her voyage to America, Willow pictures Pearl’s American home: “I imagined the rooms filled with tasteful furniture and decorated with Western art. Pearl would have a library, for she had always been a lover of books. I also imagined that she would have a garden. She had inherited Carie’s passion for nature. The garden would be filled with plants whose names I wouldn’t know, but it would be beautiful.” (261–62) What surprises does Willow discover when she finally sees Pearl’s home and garden? How do Pearl’s home, garden, and grave meet her expectations, and how do they defy her imagination?

15. If you have read The Good Earth, discuss similarities and differences between Buck’s novel and Min’s Pearl of China. How does each author portray the people, land, and troubles of rural China?

Notes From the Author to the Bookclub

Author Bio:

Anchee Min was born in Shanghai in 1957. During the Cultural Revolution, she was ordered to denounce Pearl S. Buck as an American imperialist. At seventeen, Min was sent to a labor collective, where a talent scout for Madame Mao’s Shanghai Film Studio recruited her to work as an actress in propaganda films. Min moved to the United States in 1984. Her first book, the memoir Red Azalea, became an international bestseller. She has also published five previous novels: Empress Orchid and The Last Empress, set during the last years of Imperial China; and Katherine, Becoming Madame Mao, and Wild Ginger, set during the Cultural Revolution and its aftermath. Her books have been translated into thirty-two languages.

Critical Praise:

“[Anchee] Min, a prime example of an indomitable Chinese woman, has made it her mission to reveal the truth about the lives of women in China, including Madame Mae, Empress Tzu Hsi, and now Buck … Ardently detailed, dramatic, and encompassing, Min’s fresh and penetrating interpretation of Pearl S. Buck’s extraordinary life delivers profound psychological, spiritual, and historical insights within an unforgettable cross-cultural story of a quest for veracity, compassion, and justice.”—Booklist, starred review

Suggested reading from the Publisher:

Anchee Min, Red Azalea and Empress Orchid; Pearl S. Buck, The Good Earth; Ha Jin, Waiting; Dai Sijie, Balzac and the Little Chinese Seamstress; Janice Y. K. Lee, The Piano Teacher; Lloyd Lofthouse, My Splendid Concubine; Maureen Lindley, The Private Papers of Eastern Jewel; Yu Hua, Brothers; Mo Yan, Red Sorghum; Lisa See, Shanghai Girls; Shan Sa, Empress; Su Tong, Raise the Red Lantern.

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