BKMT READING GUIDES

El Patrón
by Michele Scott

Published: 2010-02-21
Paperback : 402 pages
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What began as an innocent love affair for one young woman, Marta Peña, in Costa Careyes, Mexico in 1969, sets in motion a series of events that spans the next thirty years. This is the story of South American drug lords Antonio Espinoza and Javier Rodriguez, and their violent quest for power. In a ...
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Introduction

What began as an innocent love affair for one young woman, Marta Peña, in Costa Careyes, Mexico in 1969, sets in motion a series of events that spans the next thirty years. This is the story of South American drug lords Antonio Espinoza and Javier Rodriguez, and their violent quest for power. In a sweeping family saga, we meet the women who love them and the children they vow to protect at any cost. With a complex web of interconnected families, this gritty novel delves into the lives of a power hungry clan, following the rise of their business, the destructive path of their torrid and erotic love affairs, and the struggle to balance intense greed with devout family loyalty. Strong women face tragedies that test their will and their commitment to the men they passionately desire. As young girls grow into women, their traumatic pasts will drive their actions and force them to make gut-wrenching decisions. With murder, drug trafficking, dirty politics, illegal gambling, prostitution, obsessive love affairs, and family strife, El Patrón is a whirlwind in the vein of Mario Puzo's The Godfather.

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Excerpt

BOOK I

1969-1976

Calí, Colombia

CHAPTER ONE

EMILIO ESPINOZA TRACED THE SCARS ACROSS THE undersides of his wrists, now white with time, but still visible. Not like the ones that remained on his heart.

Moving to the ornate wooden armoire, he picked up a framed photograph of his brother Antonio and his lovely young wife Lydia. He stared at his brother’s face, his eyes becoming slits of hatred. He closed them, and threw the picture across the room, smashing the frame against the wall, his hands balling into fists as his vision clouded with tears. Glass shattered into small splinters across the adobe-tiled floor. Pulling the photograph from between the shards of glass, filled with rage and despair, Emilio ripped it into pieces.

Antonio was the reason the scars upon his heart never faded. What a fool his brother was! Antonio had no idea of his brother’s true feelings toward him and Emilio planned to keep it that way—for now. But when he struck, Antonio would know. He would feel nothing but pain; the kind Emilio felt everyday of his life.

Emilio’s plans were long term. They had to be. He knew the desired effect might not come to fruition for years, perhaps even a decade. But he had plans and they had been brewing for nearly five years, since he was merely a boy of fifteen. He had been patient for this long. He would be patient for as long as it took.

He remembered that day five years ago so very clearly.

****

EMILIO CAME HOME EARLY FROM SCHOOL, DITCHING BECAUSE he hadn’t studied for a test. He did not want Antonio to find out that he’d left school early, so he crept quietly up the outside back steps to the guesthouse, which was several yards away from the main quarters, a place where he knew he could hide out until the appropriate time.

He smelled the candles first. He smiled, knowing he was about to get a show from his Don Juan of a brother and some beautiful young thing. Antonio was known to bring women to the guesthouse and light a few rose scented candles, put on some soft music, and then, having set the mood, complete his conquest.

Emilio crawled along the balcony of the small villa, carefully rising up to peek into the window. The music playing--soft, low, romantic--the woman’s back toward him. Antonio held her close, stroking her long black hair, whispering something in her ear.

That hair, the lithe body. A shiver of delight slithered through Emilio as he watched in awe.

Antonio placed his hands on the woman’s shoulders and easily slipped off her dress, letting it fall to the ground. Emilio closed his eyes, ashamed to be watching. But curiosity and raging hormones opened them. The woman stood completely naked. Antonio swept her up and carried her to the bed and laid her down on the red sateen comforter.

Emilio felt the first painful tug on his heart when he saw her face as Antonio put his hands on either side of it and kissed her. Emilio blinked his eyes, shook his head and looked again. Antonio pulled back, reached over to the nightstand by the bed and poured her a glass of wine. It was then, as Emilio watched her drink the velvet liquid that he saw, understood and learned of betrayal of the worst kind. There, drinking wine, falling under his brother’s seductive spell, laid Marianna. His Marianna. The girl of fourteen who was destined to be is wife, his lover. Emilio loved this girl and she’d sworn her devotion to him. They had been nothing but lies.

His body, which had shivered with delight watching the show, now, shook with rage. The sweat trickling from his brow ran down his face and into his mouth tasting salty and bitter. He made himself turn back to the window and watch.

After he watched the two people he’d loved more than life do the worst imaginable to him, he ran into the cacao fields and vomited, ached and cried. His clothing wet from sweat created from his anger and the intense humidity sweeping across the overgrown fields. Finally, he stopped, and falling to his knees he threw back his head. “Marianna!” He bellowed her name over and over again in such agony that it silenced the birds across the valley set in between two mountain ranges.

How could she have done this? His Marianna? How could Antonio have done this? Emilio had loved Marianna since they were seven years old. Even as a child, he’d known that God had placed her here on this earth for him, only him. Seeing them together, watching as they grew into young adults together, Antonio knew this, and still, he had stolen her from him, betraying them both.

Brokenhearted and filled with vengeance, Emilio waited for her to leave the villa. He stalked her path until she reached the edge of the fields where he grabbed her from behind, covered her mouth with a hand stronger than even he realized. Knocking her to the ground, he wrapped his hands around her tiny neck and strangled her to death as she struggled, watching him with knowing and terrified eyes. Then, snatching her up, he carried her to the river where he weighted her body with large rocks and tossed her into the rushing waters. She had

never been found.

Emilio had sobbed, distraught, filled with remorse, anger, and fear. His brother, unaware that Marianna lay at the bottom of the river, consoled him saying they’d find the lost girl and urged him to move on with his life. No. Emilio wanted no life at all. He was beyond caring for anything life could offer him. A few days after killing his love, filled with irrevocable guilt, desperation, and hatred, he slit his wrists.

Antonio found him lying in a pool of blood by the river, and frantically sent for the doctor, begging him to save his brother. Emilio lost a great deal of blood, but with time and care, was healed. When he was well enough and out of danger, Antonio screamed at him, “You are a fool! There is not a woman in this world whose life is worthy of taking your own.”

****

NOW, MANY YEARS LATER, HE UNDERSTOOD WHY HE HAD watched the entire seduction take place. He now knew why he had not bolted away at the first glance of her beautiful face, and why he bore the pain of seeing her in his brother’s embrace. He had to completely fill his heart with his hatred of Antonio, fill it with the rage of betrayal. He’d succeeded, and he’d learned to hide that hatred. Emilio was as smart and conniving as his older brother. After all, it was his older brother who had taught him how to be evil.

As he looked out the large, paned window that faced the main house, Emilio vowed to seek revenge. He lived in that same dreaded guesthouse, the place where he’d watched his reality being pulled out from under him. But he didn’t mind. Living there meant he could never forget. And living there meant he had a good view of Antonio and Lydia’s bedroom, where he watched Lydia every morning as she took her coffee out onto the balcony. She dressed in sheer negligees, unaware of his watching eyes. She was gorgeous, truly magnificent. And she was part of Emilio’s plan. view abbreviated excerpt only...

Discussion Questions

1. With which character did you find the quickest and most certain connection with and why?
2. Were you able to connect with Antonio and Javier? If so, what was it about these two men that allowed you to feel for them? Did you empathize with them in any way throughout the book?
3. Did you find the women strong, weak, human…what did you like or didn’t like? Could you relate to them in any way being that they were from a different are, different culture, etc. How would you compare them with an American woman of today?
4. The author compares her book to The Godfather meets The Thornbirds. Why do you think she does this? Do you agree?
5. Who was your favorite female character and why? Who was your favorite male character and why?
6. Did you think Emilio’s demise was justified or over the top?
7. What was it that forged the strong relationship between Miguel and Isabella as friends and siblings?
8. Was Lydia justified in her affair with Emilio?
9. Who suffered the most? Who gained the most? Who learned the most?
10. Would you read a sequel to El Patrón? If so, what do you think will happen? What would you want to see happen? Do you think Isabelle and Alex’s love will survive? What would happen with Javier and Antonio?

Notes From the Author to the Bookclub

Writing my novel El Patrón is has been a journey. Once I explain what I mean by that I think maybe you will understand why I refer to it as such.

I'm going waaaaayyyy back now. In 1991 I gave birth to my first son Alex. He was six weeks preemie and had some health issues that dictated that I stay home with him and not work at the time. I was fresh out of college with a degree in journalism. I chose journalism as my major because my parents didn't think creative writing would be lucrative and since they were footing the tuition, I acquiesced. However, the bug to write fiction never stopped biting at me. So with my baby at home and the urge to write a book, I took a correspondence course through Writer's Digest (these were the days before I had a clue about the Internet). I finished that novel, and sent out submissions to agents and actually had some good feedback, but ultimately it was rejected. Two years passed and by then I had a rough and tumble toddler and a new baby on the way. I was now working at our family business, but I still had that need to write. What I would write, I didn't know.

Well as things would have it, some very interesting events took place in my life during that time. I won't divulge but let's just say I might have known someone who was married to someone who had a cousin who knew someone in the Mexican Mafia a.k.a the drug cartels. I had read The Godfather series and found the history, etc., of the Mafioso interesting--I didn't want to be involved with that lifestyle though, so I stopped knowing that person who was married to someone who had a cousin who knew someone in the Mexican Mafia a.k.a the drug cartels. But the idea of a book about them intrigued me. I did some research and I sat down with my then six month old baby either in my lap or in a swing next to me, while my two-year-old made a fiasco out of the house. I had just acquired my first laptop. With my baby at times in my lap, I hunted and pecked my way through the first draft of El Patrón. Then my life kind of bottomed out. I went through a divorce, I lost my home, I was left with a ton of debt I had been unaware of in my youthful naivete (that's a nice way of saying I was a pretty dumb twenty-something). I took a year off from writing and went back to work for my family.

But writing is a passion and once you have it, you want to write. You always come back to it. So, eventually I wrote another version of El Patrón, and then another of this big book (450 typed pages). I had the fortune to attend the Maui Writer's Retreat and it was there that someone in the industry said, "Oh no. Organized Crime books and family sagas don't sell." Funny how The Sopranos were on a year later and we all know how unpopular that series was. Instead of focusing on Patrón, I wrote two thrillers, a children's book, and then Murder Uncorked, which was the first book I sold to a publisher. But the characters of El Patrón kept nagging at me. After putting out a few mysteries, I decided to take another crack at El Patrón. I revised it two more times and utilized my Yoda (my freelance editor Mike Sirota). This was three years ago. But then, more mystery book contracts came in and my focus was back on them. I have now written nine mysteries and after finishing up the latest one "A Toast to Murder," and then putting out "Happy Hour," I thought now might be the time to see if El Patrón will fly. I hope I'm right.

I'm not a writer who only wants to write one type of book. I want to write good stories--stories that compel me, wake me up in the middle of the night yelling at me, "WRITE ME!" So, if you do decide to join me on this journey, just know what you are getting into--this is a saga, and there are some not so nice parts, and there are some steamy scenes. But on the flip side now that I've told you this book isn't all laughs and light, it is my favorite book. These characters have been screaming at me for 15 years now, and they wouldn't leave me alone. So, even if only a handful of readers pick it up and enjoy it, I'm good with that. It's been worth the journey all the way!

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