Beautiful, flaxen-haired Buttercup has fallen for Westley, the farm boy, and when he departs to make his fortune, she vows never to love another. So, when she hears that his ship has been captured by the Dread Pirate Roberts (no survivors) her heart is broken. But her charms draw the attention of the relentless Prince Humperdinck who wants a wife and will go to any lengths to have Buttercup. So starts a fairy tale like no other, of fencing, poison, true love, hate, revenge, giants, bad men, good men, snakes, spiders, chases, escapes, lies, truths, passion and miracles, and a damn fine story.

The Princess Bride is a true fantasy classic. William Goldman describes it as a "good parts version" of "S. Morgenstern's Classic Tale of True Love and High Adventure." Morgenstern's original was filled with details of Florinese history, court etiquette, and Mrs. Morgenstern's mostly complimentary views of the text. Much admired by academics, the "Classic Tale" nonetheless obscured what Mr. Goldman feels is a story that has everything: "Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest ladies. Snakes. Spiders. Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles."

Goldman frames the fairy tale with an "autobiographical" story: his father, who came from Florin, abridged the book as he read it to his son. Now, Goldman is publishing an abridged version, interspersed with comments on the parts he cut out.

Is The Princess Bride a critique of classics like Ivanhoe and The Three Musketeers, that smother a ripping yarn under elaborate prose? A wry look at the differences between fairy tales and real life? Simply a funny, frenetic adventure? No matter how you read it, you'll put it on your "keeper" shelf. --Nona Vero

Recommended to book clubs by 1 of 1 members.