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The Glass Castle : A Memoir (Alex Awards (Awards))
by Jeannette Walls

Published: 2006-12-15
Kindle Edition : 353 pages
267 members reading this now
681 clubs reading this now
492 members have read this book
Recommended to book clubs by 186 of 191 members
Now a major motion picture from Lionsgate starring Brie Larson, Woody Harrelson, and Naomi Watts.

MORE THAN SEVEN YEARS ON THE NEW YORK TIMES BESTSELLER LIST
The perennially bestselling, extraordinary, one-of-a-kind, â??nothing short of spectacularâ? (Entertainment Weekly) memoir ...
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Introduction

Now a major motion picture from Lionsgate starring Brie Larson, Woody Harrelson, and Naomi Watts.

MORE THAN SEVEN YEARS ON THE NEW YORK TIMES BESTSELLER LIST
The perennially bestselling, extraordinary, one-of-a-kind, â??nothing short of spectacularâ? (Entertainment Weekly) memoir from one of the worldâ??s most gifted storytellers.

The Glass Castle is a remarkable memoir of resilience and redemption, and a revelatory look into a family at once deeply dysfunctional and uniquely vibrant. When sober, Jeannetteâ??s brilliant and charismatic father captured his childrenâ??s imagination, teaching them physics, geology, and how to embrace life fearlessly. But when he drank, he was dishonest and destructive. Her mother was a free spirit who abhorred the idea of domesticity and didnâ??t want the responsibility of raising a family.

The Walls children learned to take care of themselves. They fed, clothed, and protected one another, and eventually found their way to New York. Their parents followed them, choosing to be homeless even as their children prospered.

The Glass Castle is truly astonishingâ??a memoir permeated by the intense love of a peculiar but loyal family.

Editorial Review

Jeannette Walls grew up with parents whose ideals and stubborn nonconformity were both their curse and their salvation. Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children's imagination, teaching them physics, geology, and above all, how to embrace life fearlessly. Rose Mary, who painted and wrote and couldn't stand the responsibility of providing for her family, called herself an "excitement addict." Cooking a meal that would be consumed in fifteen minutes had no appeal when she could make a painting that might last forever.

Later, when the money ran out, or the romance of the wandering life faded, the Walls retreated to the dismal West Virginia mining town -- and the family -- Rex Walls had done everything he could to escape. He drank. He stole the grocery money and disappeared for days. As the dysfunction of the family escalated, Jeannette and her brother and sisters had to fend for themselves, supporting one another as they weathered their parents' betrayals and, finally, found the resources and will to leave home.

What is so astonishing about Jeannette Walls is not just that she had the guts and tenacity and intelligence to get out, but that she describes her parents with such deep affection and generosity. Hers is a story of triumph against all odds, but also a tender, moving tale of unconditional love in a family that despite its profound flaws gave her the fiery determination to carve out a successful life on her own terms.

For two decades, Jeannette Walls hid her roots. Now she tells her own story. A regular contributor to MSNBC.com, she lives in New York and Long Island and is married to the writer John Taylor.

An exclusive Q&A with Jeannette Walls, author of The Glass Castle

Q: How long did it take you to write The Glass Castle and what was that process like?

A: Writing about myself, and about intensely personal and potentially embarrassing experiences, was unlike anything I’d done before. Over the last 25 years, I wrote many versions of this memoir -- sometimes pounding out 220 pages in a single weekend. But I always threw out the pages. At one point I tried to fictionalize it, but that didn't work either.

When I was finally ready, I wrote it entirely on the weekends, getting to my desk by 7:30 or 8:00 a.m. and continuing until 6:00 or 7:00 p.m. I wrote the first draft in about six weeks -- but then I spent three or four years rewriting it. My husband, John Taylor, who is also a writer, observed all this approvingly and quoted John Fowles, who said that a book should be like a child: conceived in passion and reared with care.

Q: How did you decide to follow The Glass Castle with Half Broke Horses?

A: It was completely at the suggestion of readers. So many people kept saying the next book should be about my mother. Readers understood my father's recklessness because they understood alcoholism, but Mom was a mystery to them. Why, they would ask, would someone with the resources to lead a normal life choose the existence that she did?

I would tell them a little bit about my mother’s childhood. She not only knew that she could survive without indoor plumbing, but that was the ideal period of her life, a time that she tries to recreate. I think that for memoir readers, it's not about a freak show– they’re just looking to understand people and get into a life that’s not their own. I thought, let me give it a shot, let me ask Mom. And she was all for it. But she kept insisting that the book should really be about her mother. At first I resisted because my grandmother, Lily Casey Smith, died when I was eight years old, more than 40 years ago. But I have a very vivid memory of this tough, leathery woman; she sang, she danced, she shot guns, she’d play honky tonk piano. I was always captivated by her. Lily had told such compelling stories—I was stunned by the number of anecdotes, and that Mom knew so much detail about them. Half Broke Horses is a compilation of family stories, stitched together with gaps filled in. They're the sort of tales that pretty much everyone has heard from their parents or grandparents. I realized that in telling Lily's story, I could also explain Mom's.

Q: Why did you decide to write Half Broke Horses in the first person, and how much of this "true-life novel" is fiction?

A: I set out to write a biography of Lily, but sometimes books take on a life of their own. I told it in first person because I wanted to capture Lily’s voice. I’m a lot like my grandmother, so it came easily to me. I planned to go back and change it from first person to third person and put in qualifiers so the book would be historically accurate, but when I showed it to my agent and publisher, they both said to leave it as it is. By doing that, I crossed the line from nonfiction into fiction. But when I call it fiction it’s not because I tarted it up and tried to embellish things, but wanted to make it more readable, fluid, and immediate. I was trying to get as close to the truth as I could.

Q: How has your relationship with your mother changed in recent years?

A: Several years ago, the abandoned building on New York’s Lower East Side where Mom had been squatting for more than a decade caught fire and she was back on the streets again at age 72. I begged her to come live with me. She said Virginia was too boring, and besides, she's not a freeloader. I told her we could really use help with the horses, and she said she'd be right there. I get along great with Mom now. She's a hoot. She's always upbeat, and has a very different take on life than most people. She's a lot of fun to be around -- as long as you're not looking for her to take care of you. She doesn’t live in the house with us-- I have not reached that level of understanding and compassion-- but in an outbuilding about a hundred yards away. Mom is great with the animals, loves to sing and dance and ride horses, and is still painting like a fiend.

Q: What do you hope readers will gain from reading your books?

A:Since writing The Glass Castle, so many people have said to me, "Oh, you’re so strong and you’re so resilient, and I couldn’t do what you did." That’s very flattering, but it’s nonsense. Of course they’re as strong as I am. I just had the great fortune of having been tested. If we look at our ancestry, we all come from tough roots. And one of the ways to discover our toughness and our resiliency is to look back at where we come from. I hope people who read The Glass Castle and Half Broke Horses will come away with that. You know, "Gosh, I come from hearty stock. Maybe I’m tougher than I realize."


Excerpt

Chapter 1: A Woman on the Street
I was sitting in a taxi, wondering if I had overdressed for the evening, when I looked out the window and saw Mom rooting through a Dumpster. It was just after dark. A blustery March wind whipped the steam coming out of the manholes, and people hurried along the sidewalks with their collars turned up. I was stuck in traffic two blocks from the party where I was heading. ... view entire excerpt...

Discussion Questions

Questions from the Publisher's Reading Guide:

1. Though The Glass Castle is brimming with unforgettable stories, which scenes were the most memorable for you? Which were the most shocking, the most inspiring, the funniest?

2. Discuss the metaphor of a glass castle and what it signifies to Jeannette and her father. Why is it important that, just before leaving for New York, Jeannette tells her father that she doesn't believe he'll ever build it? (p. 238).

3. The first story Walls tells of her childhood is that of her burning herself severely at age three, and her father dramatically takes her from the hospital: "You're safe now" (p. 14). Why do you think she opens with that story, and how does it set the stage for the rest of the memoir?

4. Rex Walls often asked his children, "Have I ever let you down?" Why was this question (and the required "No, Dad" response) so important for him -- and for his kids? On what occasions did he actually come through for them?

5. Jeannette's mother insists that, no matter what, "life with your father was never boring" (p. 288). What kind of man was Rex Walls? What were his strengths and weaknesses, his flaws and contradictions?

6. Discuss Rose Mary Walls. What did you think about her description of herself as an "excitement addict"? (p. 93).

7. Though it portrays an incredibly hardscrabble life, The Glass Castle is never sad or depressing. Discuss the tone of the book, and how do you think that Walls achieved that effect?

8 Describe Jeannette's relationship to her siblings and discuss the role they played in one another's lives.

9. In college, Jeannette is singled out by a professor for not understanding the plight of homeless people; instead of defending herself, she keeps quiet. Why do you think she does this?

10. The two major pieces of the memoir -- one half set in the desert and one half in West Virginia -- feel distinct. What effect did such a big move have on the family -- and on your reading of the story? How would you describe the shift in the book's tone?

11. Were you surprised to learn that, as adults, Jeannette and her siblings remained close to their parents? Why do you think this is?

12. What character traits -- both good and bad -- do you think that Jeannette inherited from her parents? And how do you think those traits shaped Jeannette's life?

13. For many reviewers and readers, the most extraordinary thing about The Glass Castle is that, despite everything, Jeannette Walls refuses to condemn her parents. Were you able to be equally nonjudgmental?

14. Like Mary Karr's Liars' Club and Rick Bragg's All Over But the Shoutin', Jeannette Walls' The Glass Castle tells the story of a wildly original (and wildly dysfunctional) family with humor and compassion. Were their other comparable memoirs that came to mind? What distinguishes this book?

Suggested by Members

Have you ever be homeless yourself
If so would you share the experience
What did you think when you find out about the land
by Alieda (see profile) 02/11/19

Were Ms. Walls' parents happy with their lives? Did they live the lives they wanted?
by [email protected] (see profile) 04/11/18

If CPS did actually find the children, would you recommend that the kids be raised by the parent or by foster parents?
by [email protected] (see profile) 09/03/17

Do you think Wall's turned out to be so successful "because" of her upbringing or "despite" it?
Of the 4 Wall's children discuss why you think the youngest had the most problems as an adolescent/young adult.
Do you believe the kids would have been better off if they had been taken away from their parents?
by kboch (see profile) 09/29/12

Are there things your parents did while you were growing up that you refuse to do in your life?
Are there things your parents did while you were growing up that you didn't like but find yourself doing anyway?
Are there things your parents did while you were growing up that you believe shaped the positive ways you do thing?
by Suzyanna (see profile) 01/14/11

The questions provided by the publisher were appropriate. You could compare it to Angela's Ashes.
We are reading Up from the Blue next which seems to be along the same lines but fiction.
by jendorf10 (see profile) 10/20/10

Who do you know personally that suffered a difficult childhood? Where are they now? Did you or your family have any influence on that outcome?
by wharmon (see profile) 04/07/10

would these children have been better served in the foster care system?
are the author's depictions of herself, her siblings and her parents honest? how has she dealt with her childhood and her feelings toward her parents in her writing?
how did this book make you feel about your relationships with your own parents, siblings and children?
by holland (see profile) 11/06/09

Why was Maureen the only child to turn out to be more like her parents?
When should social services be alowed to intervene in a child's welfare??
by NancyR (see profile) 10/24/09

Notes From the Author to the Bookclub

No notes at this time.

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