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The Red House: A Novel
by Mark Haddon
Hardcover : 272 pages
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The set-up of Mark Haddon's brilliant new novel is simple: Richard, a wealthy doctor, invites his estranged sister Angela and her family to join his for a week at a vacati...
An dazzlingly inventive novel about modern family, from the author of The Curious Incident of the Dog in the Night-time
The set-up of Mark Haddon's brilliant new novel is simple: Richard, a wealthy doctor, invites his estranged sister Angela and her family to join his for a week at a vacation home in the English countryside. Richard has just re-married and inherited a willful stepdaughter in the process; Angela has a feckless husband and three children who sometimes seem alien to her. The stage is set for seven days of resentment and guilt, a staple of family gatherings the world over.
But because of Haddon's extraordinary narrative technique, the stories of these eight people are anything but simple. Told through the alternating viewpoints of each character, The Red House becomes a symphony of long-held grudges, fading dreams and rising hopes, tightly-guarded secrets and illicit desires, all adding up to a portrait of contemporary family life that is bittersweet, comic, and deeply felt. As we come to know each character they become profoundly real to us. We understand them, even as we come to realize they will never fully understand each other, which is the tragicomedy of every family.
The Red House is a literary tour-de-force that illuminates the puzzle of family in a profoundly empathetic manner -- a novel sure to entrance the millions of readers of The Curious Incident of the Dog in the Night-Time.
Editorial ReviewNo editorial review at this time.
Cooling towers and sewage farms. Finstock, Charlbury, Ascott-under-Wychwood. Seventy miles per hour, the train unzips the fields. Two gun-gray lines beside the river’s meander. Flashes of sun on the hammered metal. Something of steam about it, even now. Hogwarts and Adlestrop. The night mail crossing the border. Cheyenne sweeping down from the ridge. Delta blues from the boxcar. Somewhere, those secret points that might just switch and send you curving into a world of uniformed porters and great-aunts and summers at the lake. ... view entire excerpt...
Discussion Questions1. What role does the Welsh landscape play in The Red House? How might this story be different if it portrayed an American family? Where would you set the story and what points of American culture would you add?
2. To what extent, if at all, did you see your family or your own family vacations reflected in The Red House?
3. What roles do death and absence play in the narrative? Discuss mortality as it relates to the characters of Angela, Richard, Karen, and Melissa.
4. Which character did you identify with most? Which characters would you want to spend a week with in a secluded vacation setting? Who seemed the most likable? The most perplexing?
5. Discuss the dining room table as a microcosm of the familial vacation experience. How do shifting places at the table reflect changing relationships and characters’ internal and external struggles? Talk about the role seating order plays in your own family or groups of friends.
6. Discuss inner monologue as a plot device. What are the recurring themes of the inner monologue of each character? Give examples of how the characters’ inner monologues come to light and come to the attention of other characters. How do the involved parties deal with the divulgence of these intimacies?
7. Romance, lust and longing weave themselves through the novel. Discuss the romantic and sexual urges of Louisa, Alex, Dominic, and Daisy. Are there any parallels between them? How do romantic overtures affect the other inhabitants of the red house?
8. What role does the house itself play in this novel? How might a different physical structure bring about alternate results for the characters? On another structural note, the novel is broken into sections, each titled with a day of the week.
9. Ian McEwan, Shakespeare, and the Legend of the Willow (Koong-se and Chang) all make appearances in the novel. What functions do these literary references serve in plot and character development?
10. On page 116, Daisy is reading Dracula, which Haddon quotes: “We need have no secrets amongst us. Working together and with absolute trust, we can surely be stronger than if some of us were in the dark.” What resonance does this quote have in this context? How does it relate to matters at hand between the members of Richard’s and Angela’s family? To your own family?
11. From the start of the book, photography comes into play as a method of immortalizing landscape and human experience. What visual snapshots stick with you from the novels?
12. Where do you think the members of Richard and Angela’s families will find themselves in two months? Five years? Two decades? How might incidents from the vacation play themselves out in the future?
13. Benjy’s inscription in the visitor’s book reads, "I liked walking up the hill and the rain storm and shepherds pie at the granary." Do you think this is poignant? Explain why or why not. What is left out?
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